Published 01 December 2019
Loggers can learn to love trees......
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.
Published December 1990
The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
Exhibition review Zerospace at the Experimental Art Foundation Adelaide South Australia 1990
Advanced Technology Artworks by Paula Dawson and Jill Scott.
Exhibition review Nicole Page-Smith Tony Oliver Gallery Melbourne Victoria
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.
A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.
Exhibition review Powder: Jam Factory Bullring Adelaide South Australia October 1990
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
