Published 01 December 2018
Loggers can learn to love trees......
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans Contemporary Art Centre October 1990 Australian Centre for Photography November - December 1990
Published December 1990
Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.
History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.
Exhibition review Zerospace at the Experimental Art Foundation Adelaide South Australia 1990
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.
