The Route You Take...

Cover of The Route You Take...
1.13
Fragmentation and complexity in Crossings by Wei Leng Tay
Artist Profile
Roger Nelson

Published 01 September 2018
1.126
Ryoji Ikeda: The aesthetics of data flow
Artist Profile
Daniel Palmer

Published 01 September 2018
1.12
Juilee Pryor: The Army of Unrequited Dreams
Artist Profile
Ann Finegan

Published 01 September 2018
Crown Resorts
1.138
Global flows in Ruth Watson's Geophagy
Artist Profile
Bruce E. Phillips

Published 01 September 2018
0.906
Soda_Jerk: Flowers from the barrel of a gun
Artist Profile
Adrian Martin

Published 01 December 2016
1.094
Ella Barclay: A feeling of lost connections
Artist Profile
Sumugan Sivanesan

Published 01 December 2016
NAVA
1.286
Roy Ananda: How to write a fan letter
Artist Profile
Jenna McKenzie

Published 01 December 2016
1.288
Matthew Bradley: The year of a thousand suns
Artist Profile
Teri Hoskin

Published 01 December 2016

Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans Contemporary Art Centre October 1990 Australian Centre for Photography November - December 1990

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More from this Issue Full Issue Contents

Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial
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Anita Aarons

The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....

Published December 1990
Biennale of Sydney Authority = Potential
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The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.

Published December 1990
A Critical Evaluation of the First Adelaide Biennial of Australian Art
Feature
Ian North

Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.

Published December 1990
It's on Disc! Magazine Production on the Desktop
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Stephanie Britton

Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.

Published December 1990
The Many Faces of Design
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Lynn Rahill

A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.

Published December 1990
Fred Truck's ArtEngine
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Simon Penny

A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.

Published December 1990
To Market, To Market: The second Contemporary Art Fair
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Simeon Kronenberg

Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.

Published December 1990
The Kakadu National Bank
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Loggers can learn to love trees......

Published December 1990
Arts on the ABC: Chris Westwood and the New Deal for Radio National and ABC FM
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Cath Kenneally

Chris Westwood and the New Deal for Radio National and ABC FM.

Published December 1990
Traces of Light: An Interview with Thierry Kuntzel
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Raymond Bellour

The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.

Published December 1990
Treading Terra Technic
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Advanced Technology Artworks by Paula Dawson and Jill Scott.

Published December 1990
Contemporary Soviet Art
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Evgeny Barabanov

How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?

Published December 1990
 
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