Published 01 September 2020
Published September 2020
Advanced Technology Artworks by Paula Dawson and Jill Scott.
Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.
Published December 1990
A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?
The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.
The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.
Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
Australian Centre for Photography
November - December 1990
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.