Published 30 March 2022
Advanced Technology Artworks by Paula Dawson and Jill Scott.
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
Published December 1990
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
Exhibition review Powder: Jam Factory Bullring Adelaide South Australia October 1990
Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans Contemporary Art Centre October 1990 Australian Centre for Photography November - December 1990
A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.
Exhibition review Zerospace at the Experimental Art Foundation Adelaide South Australia 1990
A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.
