Published 01 September 2019
Advanced Technology Artworks by Paula Dawson and Jill Scott.
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
Published December 1990
Exhibition review Nicole Page-Smith
Tony Oliver Gallery
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
Chris Westwood and the New Deal for Radio National and ABC FM.
Loggers can learn to love trees......
A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.
Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.