Published 01 March 2019
Published 01 December 2018
Advanced Technology Artworks by Paula Dawson and Jill Scott.
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Published December 1990
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
Australian Centre for Photography
November - December 1990
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
Chris Westwood and the New Deal for Radio National and ABC FM.
Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.
Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.
The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.
Artists' Week was established in 1982 as an initiative of the South Australian visual arts community in reponse to the poor emphasis on visual art in the Adelaide Festival Program and to the growing need for forums to discuss art.