Treading Terra Technic

Cover of Treading Terra Technic
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Bill Morrow
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
NAVA
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Advanced Technology Artworks by Paula Dawson and Jill Scott.

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More from this Issue Full Issue Contents

It's on Disc! Magazine Production on the Desktop
Editorial
Stephanie Britton

Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.

Published December 1990
Fred Truck's ArtEngine
Feature
Simon Penny

A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.

Published December 1990
To Market, To Market: The second Contemporary Art Fair
Feature
Simeon Kronenberg

Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.

Published December 1990
Contemporary Soviet Art
Feature
Evgeny Barabanov

How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?

Published December 1990
Traces of Light: An Interview with Thierry Kuntzel
Feature
Raymond Bellour

The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.

Published December 1990
What It Is Not; Misreading the East
Feature
Richard Grayson

The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.

Published December 1990
Art in Space
Feature
Roger F Malina

As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.

Published December 1990
Biennale of Sydney Authority = Potential
Feature
Ian Howard

The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.

Published December 1990
Powder: Four Adelaide Sculptors
Review
Kate Brennan

Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
October 1990

Published December 1990
The Route You Take...
Artist Profile
Fiona Hall

Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
October 1990
Australian Centre for Photography
November - December 1990

Published December 1990
Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial
Feature
Anita Aarons

The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....

Published December 1990
Ripples from the Margin: Refractory Speculations on the Myths of Oz
Feature
Deborah White

About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.

Published December 1990
 
ACE Open
CAT
Guildhouse
Desert Mob
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