Published 30 March 2022
The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.
Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.
Published December 1990
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Exhibition review Zerospace at the Experimental Art Foundation Adelaide South Australia 1990
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
Chris Westwood and the New Deal for Radio National and ABC FM.
Book review Art and Architecture Thesaurus: Toni Peterson (director) New York: Oxford University Press Published on behalf of the Getty Art History and Information program 1990 Set of three volumes ISBN0-19-506403 -8
Advanced Technology Artworks by Paula Dawson and Jill Scott.
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.
The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.
