Published 01 June 2020
Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
Published December 1990
Chris Westwood and the New Deal for Radio National and ABC FM.
Exhibition review Nicole Page-Smith
Tony Oliver Gallery
Advanced Technology Artworks by Paula Dawson and Jill Scott.
Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
Book review Art and Architecture Thesaurus: Toni Peterson (director) New York: Oxford University Press
Published on behalf of the Getty Art History and Information program 1990
Set of three volumes
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
Australian Centre for Photography
November - December 1990
The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.