Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial

Cover of Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Riddoch
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Adelaide Festival Centre
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Traces of Light: An Interview with Thierry Kuntzel
Feature
Raymond Bellour

The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.

Published December 1990
The Many Faces of Design
Feature
Lynn Rahill

A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.

Published December 1990
Art in Vietnam Now
Feature
Alison Carroll

A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.

Published December 1990
Getting the Picture? The Visual Arts in Australia in the Electronic Media
Feature
John Hartley

There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.

Published December 1990
Looking Back: A decade of Artlink 1981 -1991
Feature
Stephanie Britton

History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.

Published December 1990
Artists Week
Feature
Stephanie Radok

Artists' Week was established in 1982 as an initiative of the South Australian visual arts community in reponse to the poor emphasis on visual art in the Adelaide Festival Program and to the growing need for forums to discuss art.

Published December 1990
Contemporary Soviet Art
Feature
Evgeny Barabanov

How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?

Published December 1990
Fred Truck's ArtEngine
Feature
Simon Penny

A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.

Published December 1990
A Critical Evaluation of the First Adelaide Biennial of Australian Art
Feature
Ian North

Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.

Published December 1990
Biennale of Sydney Authority = Potential
Feature
Ian Howard

The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.

Published December 1990
Powder: Four Adelaide Sculptors
Review
Kate Brennan

Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
October 1990

Published December 1990
The Route You Take...
Artist Profile
Fiona Hall

Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
October 1990
Australian Centre for Photography
November - December 1990

Published December 1990
 
Artlink Promo
Artlink Subs Promo
ACE Open
PICA
UTS2