Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial

Cover of Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Pilbara Creative Forum
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....

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More from this Issue Full Issue Contents

Artists Week
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Stephanie Radok

Artists' Week was established in 1982 as an initiative of the South Australian visual arts community in reponse to the poor emphasis on visual art in the Adelaide Festival Program and to the growing need for forums to discuss art.

Published December 1990
Arts on the ABC: Chris Westwood and the New Deal for Radio National and ABC FM
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Chris Westwood and the New Deal for Radio National and ABC FM.

Published December 1990
A Critical Evaluation of the First Adelaide Biennial of Australian Art
Feature
Ian North

Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.

Published December 1990
Breaking the Toy
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Richard Grayson

Exhibition review Zerospace
at the Experimental Art Foundation
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1990

Published December 1990
The Many Faces of Design
Feature
Lynn Rahill

A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.

Published December 1990
A Lyrical Containment: Sculpture by Nicole Page-Smith
Review
Simeon Kronenberg

Exhibition review Nicole Page-Smith
Tony Oliver Gallery
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Published December 1990
Ripples from the Margin: Refractory Speculations on the Myths of Oz
Feature
Deborah White

About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.

Published December 1990
What It Is Not; Misreading the East
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Richard Grayson

The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.

Published December 1990
Powder: Four Adelaide Sculptors
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Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
October 1990

Published December 1990
Art in Vietnam Now
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Published December 1990
Contemporary Soviet Art
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Evgeny Barabanov

How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?

Published December 1990
Looking Back: A decade of Artlink 1981 -1991
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History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.

Published December 1990
 
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