Published 01 September 2020
Published September 2020
Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.
Looks at the Canberra School of Art Print Workshop has played a key role in encouraging Aboriginal artist to make prints.
Published June 1990
Article by the artist about her art practice.
Looks at the art practice of Victorian artist Gayle Maddigan.
Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.
Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.
Explores Aboriginal radio in far north Queensland.
The Association of Northern and Central Australian Aboriginal Artists.
Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.
Looks at her art practice and design issues, copyright and textiles.
Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.
This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.
The artist writes about her art practice.