Waringarri Arts Centre

Cover of Waringarri Arts Centre
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
The Japan Foundation
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Located in Kununurra Western Australia Waringarri Arts was set up for artists in the Kimberley region.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Copyright and Issues of Appropriation
Feature
Lin Onus

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

Published June 1990
Jukurrpa
Feature
Dorothea Philips

Jujurrpa is a Warlpri word meaning Dreaming and it is the Dreamtime stories that are depicted on the canvases of a group of Warlpri, Pitjantjatjara, Luritja and Anmatyerre women from the Alice Springs area.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
Two Artists from Yuendumu
Feature
Christine Lennard

Interview with Norah Nelson and Frank Bronson of Warlukurlangu Artists of Yuendumu prior to their first solo exhibition 'Our Dreaming' at the Dreamtime Gallery Perth Western Australia 18 February - 10 March 1990 Perth Festival.

Published June 1990
Jumbana Designs
Feature
David Kerr

John and Ros Moriarty of Jumbuna Designs in interview.

Published June 1990
Aboriginal Arts Unit Australia Council
Feature
Lesley Fogarty

The Aboriginal Arts Board was dis-established in June 1989...the Australia Council established the Aboriginal Arts Committee to replace the Board.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
Feature
Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
Designer Aboriginals
Feature
Bronwyn Bancroft

Looks at her art practice and design issues, copyright and textiles.

Published June 1990
Doris Gingingara
Feature
David Wroth

Article about the artist and her works from Western Australia.

Published June 1990
Aboriginal Community College - Port Adelaide
Feature
Charlie Schiavone

The broad aims of the Aboriginal Community College in Port Adelaide, South Australia, are to provide time, space, and resources to Aboriginal people that will allow them to make discoveries about themselves, their heritage and their environment, and to move in directions that they establish as relevant to themselves and/or their community.

Published June 1990
From Yuendumu to Paris
Feature
Peter McKenzie

Explores a historic trip for six traditional artists from Australia for the exhibition 'Magicians of the Earth'. This global overview was created to "reveal the force of communication" and was true to its title.

Published June 1990
Isolation: Jimmy Pike and Patricia Lowe in the Great Sandy Desert
Feature
Patricia Lowe

There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.

Published June 1990
 
Axolotl
ACE Open
NAVA
Crown Resorts
AFF