Waringarri Arts Centre

Cover of Waringarri Arts Centre
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Axolotl
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
NAVA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Located in Kununurra Western Australia Waringarri Arts was set up for artists in the Kimberley region.

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More from this Issue Full Issue Contents

Pitchat and Beyond
Feature
Neil Turner

Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
Feature
Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
Sally Morgan Speaks
Feature
Sally Morgan

The artist speaks about her art practice.

Published June 1990
Murris' Coming Out Show
Feature
Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
Les Griggs
Artist Profile
Megan Griggs

Examines the paintings of Les Griggs.

Published June 1990
From Yuendumu to Paris
Feature
Peter McKenzie

Explores a historic trip for six traditional artists from Australia for the exhibition 'Magicians of the Earth'. This global overview was created to "reveal the force of communication" and was true to its title.

Published June 1990
Balance 1990
Feature
Louise Dauth

Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.

Published June 1990
Night Cries - A Rural Tragedy; A film by Tracey Moffatt
Feature
Anne Rutherford

Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.

Published June 1990
Aboriginal Rock Festival
Feature
Andy Kiwat

It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Abie Jangala
Feature
Sharon Monty

Looks at the works of Abie Jangala from Lajamanu and the country about 500 kilometres north west of Alice Springs.

Published June 1990
Country in Mind
Feature
Jenny Green

In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.

Published June 1990
 
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