Waringarri Arts Centre

Cover of Waringarri Arts Centre
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The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
NAVA
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
UNSW
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Located in Kununurra Western Australia Waringarri Arts was set up for artists in the Kimberley region.

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More from this Issue Full Issue Contents

Milton Budge
Artist Profile
Leone Stanford

Looks at the art practice of Milton Budge.

Published June 1990
Birrukmarri
Feature
Mary Wright

Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.

Published June 1990
Robert Campbell Junior
Artist Profile
Robert Campbell Jnr

The artist talks about his art practice.

Published June 1990
Kinship and the Dreaming
Feature
Neva Grzybowicz

Looks at a family history project beginning with the Koonibba Mission in South Australia.

Published June 1990
A memorial for the dead: Commemorating 200 years of loss
Feature
Djon Mundine

In 1998 the artists of Ramingining, a remote Central Arnhem Land community, were responsible for perhaps the most-moving political statement made during Australia’s bicentenary year. Djon Mundine tells UK-based anthropologist Howard Morphy, how this extraordinary monument came to be made.

Published 01 June 1990
Maningrida: Traditions Open to Change
Feature
Diane Moon

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

Published June 1990
Aboriginal Rock Festival
Feature
Andy Kiwat

It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.

Published June 1990
Poetry in Review
Feature
Ken Canning

Aboriginal poet Ken Canning ( Burraga Gutya) looks at the nature of poetry. 3 poems of Burraga Gutya included in the issue.

Published June 1990
Australia to the World
Feature
Michael O+Ferrall

In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.

Published June 1990
Jukurrpa
Feature
Dorothea Philips

Jujurrpa is a Warlpri word meaning Dreaming and it is the Dreamtime stories that are depicted on the canvases of a group of Warlpri, Pitjantjatjara, Luritja and Anmatyerre women from the Alice Springs area.

Published June 1990
Centre for Aboriginal Studies in Music
Feature
Ben L Yengi

Located in the University of Adelaide in South Australia the Centre for Aboriginal Studies in Music was set up in 1972 in order that many aboriginal people both urban and tribal may develp effective skills of communicating their cultural, social, political and economic feelings through music to Australian people and the world at large.

Published June 1990
Wanjidari
Artist Profile
Libby Morgan

Looks at the art practice of Wanjidari.

Published June 1990
 
City of Melville
Artlink Subs Promo
The Torch
Artlink Promo
Darwin Aboriginal Art Fair