Published 01 December 2019
Published 01 March 2020
Published 01 January 2020
Looks at the artist's co-operative Boomalli located in Sydney NSW.
"I joined the Jabiru Cabaret in Cairns as one of the ten founding cast members in November 1988. The excitement for me as a performer, is to bridge the gap of understanding between various races, colours, cultures and countries. To witness the audience reaction to us as a group performing in three distinct areas makes us all feel very close to achieving the message of a minority through our art."
Published June 1990
In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.
Looks at the art practice of Victorian artist Gayle Maddigan.
Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.
Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.
Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.
In 1989, Jon Altman, Chris McGuigan and Peter Yu were asked by the Minister for Aboriginal Affairs to look into the viability of the Aboriginal Arts and Crafts industry, to point to ways to improve its efficiency and effectiveness and to advise which government programs could give cost effective support to the industry and to recommend managing and marketing strategies.
Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.
Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.
The Aboriginal and Torres Strait Islander Art Education Centre in Cairns is a vocational school of Arts aimed at the development and realisation of Aboriginal artistic talent.
The people of Utopia have been making important visual images for thousands of years, on their bodies and ceremonial objects. In 1977 these images leapt onto lengths of silk via the batik technique and it was in this medium that the women of Utopia went on to establish a reputation for themselvs with their powerful images and distinctive style.
The Association of Northern and Central Australian Aboriginal Artists.