Tandanya: Australia's First Aboriginal Cultural Institute

Cover of Tandanya: Australia's First Aboriginal Cultural Institute
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Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
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Nicholas Thomas

Published 01 September 2018
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Living and dying under surveillance: Xu Bing's Dragonfly Eyes
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Sasha Grbich

Published 01 September 2018
Joondalup
1.122
Inhuman flow: Censorship and art in the two Chinas
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Darren Jorgensen and Tami Xiang

Published 01 September 2018
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Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
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Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
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Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Artlink Subs Promo
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Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
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Katie West: Living well
Feature
Katie West

Published 01 June 2018

Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.

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More from this Issue Full Issue Contents

Peter Dabah
Artist Profile
Vincent Megaw

Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.

Published June 1990
Aboriginal Arts Unit Australia Council
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Lesley Fogarty

The Aboriginal Arts Board was dis-established in June 1989...the Australia Council established the Aboriginal Arts Committee to replace the Board.

Published June 1990
Milpatjunanyi: Recent Pitjantjatjara Women's Painting
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John Kean

The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

Published June 1990
Designer Aboriginals
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Bronwyn Bancroft

Looks at her art practice and design issues, copyright and textiles.

Published June 1990
A Memorial for the Dead: John Mundine on a Project to Commemorate 200 Years of Loss
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Djon Mundine

Howard Morphy interviews Djon Mundine about the Aboriginal Memorial - a collection of hollow log coffins made by artists of the community of Ramingining in the Northern Territory, to commemorate Aboriginal people who had died since the invasion of Australia in 1788

Published June 1990
Pitchat and Beyond
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Neil Turner

Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.

Published June 1990
Night Cries - A Rural Tragedy; A film by Tracey Moffatt
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Anne Rutherford

Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.

Published June 1990
Aboriginal Community College - Port Adelaide
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Charlie Schiavone

The broad aims of the Aboriginal Community College in Port Adelaide, South Australia, are to provide time, space, and resources to Aboriginal people that will allow them to make discoveries about themselves, their heritage and their environment, and to move in directions that they establish as relevant to themselves and/or their community.

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Murris' Coming Out Show
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Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

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The Bicentenary and Beyond: Recent Developments in Aboriginal Printmaking
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Christine Watson

The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.

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The Struggle Continues
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Kevin Gilbert

In every area of the arts where Aborigines are participating there is an intense surge of creative vitality. Once could call it a renaissance period. When I began writing poetry, Kath Walker (Oodgeroo Noonucul) was the only recognised poet.

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Jabiru
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Alan Dargin

"I joined the Jabiru Cabaret in Cairns as one of the ten founding cast members in November 1988. The excitement for me as a performer, is to bridge the gap of understanding between various races, colours, cultures and countries. To witness the audience reaction to us as a group performing in three distinct areas makes us all feel very close to achieving the message of a minority through our art."

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