Published 01 March 2019
Published 01 December 2018
Looks at her art practice and design issues, copyright and textiles.
In every area of the arts where Aborigines are participating there is an intense surge of creative vitality. Once could call it a renaissance period. When I began writing poetry, Kath Walker (Oodgeroo Noonucul) was the only recognised poet.
Published June 1990
Interview with Bluey Roberts.
If the 70s is remembered as a period of nurture for Aboriginal art, the 1980s will certainly be remembered as the decade of its dramatic development...there has been an eflorescence of community based enterprises in the remote areas of Australia.
Margie West talks to NE Arnhem Land artist Banduk Marika about artists working in Yirrkala, an Aboriginal community. She addresses traditional ceremonies today, the appropriate use of traditional designs, payment for work, copyright, and working to redress environmental damage to the beaches and lands by regenerating native trees and plants.
Interview with Norah Nelson and Frank Bronson of Warlukurlangu Artists of Yuendumu prior to their first solo exhibition 'Our Dreaming' at the Dreamtime Gallery Perth Western Australia 18 February - 10 March 1990 Perth Festival.
Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.
"From the time that whites arrived in Tasmania and up until 1983 Aboriginal performing arts especially theatre arts, had become almost as extinct as whites would have people believe Tasmanian Aborigines were. Not so!"
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.
John and Ros Moriarty of Jumbuna Designs in interview.
In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.
The artist speaks about her art practice.
Looks at a family history project beginning with the Koonibba Mission in South Australia.