Published 01 March 2019
Published 01 December 2018
The artist speaks about her art practice.
Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.
Published June 1990
Supplementary bibliography to the major work by Adrian Marrie 1987 'A Topical bibliography of Australian Aboriginal Visual Arts 3' ed ASTEC SA College of Advanced Education (now the University of South Australia) Underdale SA.
Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.
Looks at the Santa Teresa Community 80 kilometres south of Alice Spring and home of the Arrernte people where the Keringke Arts Centre was established in 1987.
Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.
Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.
Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.
This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.
Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.
Gordon Bennett interviewed on the development of his work.
Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.