Published 01 September 2019
The artist speaks about her art practice.
In every area of the arts where Aborigines are participating there is an intense surge of creative vitality. Once could call it a renaissance period. When I began writing poetry, Kath Walker (Oodgeroo Noonucul) was the only recognised poet.
Published June 1990
Gordon Bennett interviewed on the development of his work.
Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.
The Power Institute at the University of Sydney ran a 10 week program devised by Susan Simons and Bronwyn Bancroft of panel discussions, presentations, films/videos and seminars exploring many of the issues of Aboriginal art in Australian society.
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.
Looks at the art practice in Moree in north western NSW.
Looks at a family history project beginning with the Koonibba Mission in South Australia.
Article about the artist and her works from Western Australia.
The Association of Northern and Central Australian Aboriginal Artists.
'Bangarra' is a Wiradjeri word meaing to make fire and the dance company so named has sparked enthusiasm for its performances in countries as far afield as Japan, New Guinea, the USA and Finland.
Looks at her art practice and design issues, copyright and textiles.
Looks at the Santa Teresa Community 80 kilometres south of Alice Spring and home of the Arrernte people where the Keringke Arts Centre was established in 1987.