Gayle Maddigan

Cover of Gayle Maddigan
1.126
James Turrell: Night life in Brisbane
Artist Profile
Diana Young

Published 01 March 2019
1.012
Jacky Redgate's patch of yellow (and blue)
Artist Profile
Shaune Lakin

Published 01 March 2019
1.132
Jane Skeer: True blue
Artist Profile
Serena Wong and Eve Sullivan

Published 01 March 2019
The Japan Foundation
1.126
Gerry Wedd: My blue and white china
Artist Profile
Gerry Wedd

Published 01 March 2019
1.126
Vincent Namatjira: Colourful optimism
Artist Profile
Wes Hill

Published 01 March 2019
1.13
Fragmentation and complexity in Crossings by Wei Leng Tay
Artist Profile
Roger Nelson

Published 01 September 2018
UTS
1.126
Ryoji Ikeda: The aesthetics of data flow
Artist Profile
Daniel Palmer

Published 01 September 2018
1.12
Juilee Pryor: The Army of Unrequited Dreams
Artist Profile
Ann Finegan

Published 01 September 2018

Looks at the art practice of Victorian artist Gayle Maddigan.

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The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

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Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

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Aboriginal Arts Unit Australia Council
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The Aboriginal Arts Board was dis-established in June 1989...the Australia Council established the Aboriginal Arts Committee to replace the Board.

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Money, Corruption and Authenticity
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Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.

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Art After the Controversy
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FAIRA: Cultural Heritage Initiatives in Queensland
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Sally Morgan Speaks
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Milton Budge
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