Published 01 September 2018
Published 01 December 2016
Gordon Bennett interviewed on the development of his work.
Margie West talks to NE Arnhem Land artist Banduk Marika about artists working in Yirrkala, an Aboriginal community. She addresses traditional ceremonies today, the appropriate use of traditional designs, payment for work, copyright, and working to redress environmental damage to the beaches and lands by regenerating native trees and plants.
Published June 1990
The artist talks about his art practice.
Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.
Looks at the art practice of Milton Budge.
The Aboriginal and Torres Strait Islander Art Education Centre in Cairns is a vocational school of Arts aimed at the development and realisation of Aboriginal artistic talent.
Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.
Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.
Looks at the art practice of Wanjidari.
Looks at a family history project beginning with the Koonibba Mission in South Australia.
Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.
At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.