Published 01 December 2019
Published 01 March 2019
The artist writes about her art practice.
Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?
Published June 1990
The artist speaks about her art practice.
"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."
Looks at a family history project beginning with the Koonibba Mission in South Australia.
Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.
The Association of Northern and Central Australian Aboriginal Artists.
The people of Utopia have been making important visual images for thousands of years, on their bodies and ceremonial objects. In 1977 these images leapt onto lengths of silk via the batik technique and it was in this medium that the women of Utopia went on to establish a reputation for themselvs with their powerful images and distinctive style.
It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.
There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.
Interview with Djon Mundine and Howard Morphy at Ramingining in Arnhem Land, Northern Territory (with assistance from Luke Taylor).
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.
Explores Aboriginal radio in far north Queensland.