Published 01 December 2019
Published 01 March 2019
Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.
Looks at her art practice and design issues, copyright and textiles.
Published June 1990
Looks at the art practice of Milton Budge.
Looks at the art practice of Victorian artist Gayle Maddigan.
Interview with Norah Nelson and Frank Bronson of Warlukurlangu Artists of Yuendumu prior to their first solo exhibition 'Our Dreaming' at the Dreamtime Gallery Perth Western Australia 18 February - 10 March 1990 Perth Festival.
In 1989, Jon Altman, Chris McGuigan and Peter Yu were asked by the Minister for Aboriginal Affairs to look into the viability of the Aboriginal Arts and Crafts industry, to point to ways to improve its efficiency and effectiveness and to advise which government programs could give cost effective support to the industry and to recommend managing and marketing strategies.
Looks at the art practice of Donna Leslie.
Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.
Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.
In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.
Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.
Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.
Aboriginal poet Ken Canning ( Burraga Gutya) looks at the nature of poetry. 3 poems of Burraga Gutya included in the issue.