Published 01 December 2019
Published 01 March 2019
Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.
Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.
Published June 1990
The artist writes about her art practice.
In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.
Located in Kununurra Western Australia Waringarri Arts was set up for artists in the Kimberley region.
Interview with Bluey Roberts.
In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.
Located in the University of Adelaide in South Australia the Centre for Aboriginal Studies in Music was set up in 1972 in order that many aboriginal people both urban and tribal may develp effective skills of communicating their cultural, social, political and economic feelings through music to Australian people and the world at large.
Looks at the art practice of Maree Clarke.
Gordon Bennett interviewed on the development of his work.
Dumbartung Aboriginal Corporation meaning 'we of the people' is a West Australian Aboriginal organization which aims to promote dance, drama, writing, painting, sculpture, craftwork, music and any other Aboriginal art...
Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.
The Power Institute at the University of Sydney ran a 10 week program devised by Susan Simons and Bronwyn Bancroft of panel discussions, presentations, films/videos and seminars exploring many of the issues of Aboriginal art in Australian society.