Published 01 March 2020
Published 01 December 2019
Article by the artist about her art practice.
Interview with Djon Mundine and Howard Morphy at Ramingining in Arnhem Land, Northern Territory (with assistance from Luke Taylor).
Published June 1990
John and Ros Moriarty of Jumbuna Designs in interview.
The Power Institute at the University of Sydney ran a 10 week program devised by Susan Simons and Bronwyn Bancroft of panel discussions, presentations, films/videos and seminars exploring many of the issues of Aboriginal art in Australian society.
Looks at the art practice of Milton Budge.
In every area of the arts where Aborigines are participating there is an intense surge of creative vitality. Once could call it a renaissance period. When I began writing poetry, Kath Walker (Oodgeroo Noonucul) was the only recognised poet.
Gordon Bennett interviewed on the development of his work.
The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.
Explores a historic trip for six traditional artists from Australia for the exhibition 'Magicians of the Earth'. This global overview was created to "reveal the force of communication" and was true to its title.
Looks at a family history project beginning with the Koonibba Mission in South Australia.
"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."
Looks at the works of Abie Jangala from Lajamanu and the country about 500 kilometres north west of Alice Springs.
There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.
