Poetry in Review

Cover of Poetry in Review
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
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1.126
A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
1.126
Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
1.126
Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
Metro Tunnel (Vic Gov)
1.126
Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Aboriginal poet Ken Canning ( Burraga Gutya) looks at the nature of poetry. 3 poems of Burraga Gutya included in the issue.

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More from this Issue Full Issue Contents

Milpatjunanyi: Recent Pitjantjatjara Women's Painting
Feature
John Kean

The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

Published June 1990
Donna Leslie
Artist Profile
Natalie Greenwood

Looks at the art practice of Donna Leslie.

Published June 1990
Desert Designs
Feature
David Wroth

Examines the Desert Designs Company formed by Stephen Culley and David Wroth which began in the early 1980s.

Published June 1990
Dumbartung Aboriginal Corporation
Feature
Geoff Narkle

Dumbartung Aboriginal Corporation meaning 'we of the people' is a West Australian Aboriginal organization which aims to promote dance, drama, writing, painting, sculpture, craftwork, music and any other Aboriginal art...

Published June 1990
A Playwrights Story
Feature
Raymond Kelly

"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."

Published June 1990
Birrukmarri
Feature
Mary Wright

Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.

Published June 1990
Superstar or Generic
Feature
Michael Rae

Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
Gordon Bennett: Expressions of Constructed Identity
Artist Profile
Anne Kirker

Gordon Bennett interviewed on the development of his work.

Published June 1990
Aboriginal Music; Broome Style: Towards Bran Nue Dae
Feature
Marion Granich

Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.

Published June 1990
Maningrida: Traditions Open to Change
Feature
Diane Moon

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

Published June 1990
Australia to the World
Feature
Michael O+Ferrall

In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.

Published June 1990