Poetry in Review

Cover of Poetry in Review
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Crown Resorts
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Aboriginal poet Ken Canning ( Burraga Gutya) looks at the nature of poetry. 3 poems of Burraga Gutya included in the issue.

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More from this Issue Full Issue Contents

Jumbana Designs
Feature
David Kerr

John and Ros Moriarty of Jumbuna Designs in interview.

Published June 1990
Les Griggs
Artist Profile
Megan Griggs

Examines the paintings of Les Griggs.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Aboriginal Arts in Australia 1990
Feature
Marlene Stewart

Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.

Published June 1990
Aboriginal Community College - Port Adelaide
Feature
Charlie Schiavone

The broad aims of the Aboriginal Community College in Port Adelaide, South Australia, are to provide time, space, and resources to Aboriginal people that will allow them to make discoveries about themselves, their heritage and their environment, and to move in directions that they establish as relevant to themselves and/or their community.

Published June 1990
Kinship and the Dreaming
Feature
Neva Grzybowicz

Looks at a family history project beginning with the Koonibba Mission in South Australia.

Published June 1990
Dumbartung Aboriginal Corporation
Feature
Geoff Narkle

Dumbartung Aboriginal Corporation meaning 'we of the people' is a West Australian Aboriginal organization which aims to promote dance, drama, writing, painting, sculpture, craftwork, music and any other Aboriginal art...

Published June 1990
Vocational Arts Centre Cairns
Feature
Mabel Edmund A M

The Aboriginal and Torres Strait Islander Art Education Centre in Cairns is a vocational school of Arts aimed at the development and realisation of Aboriginal artistic talent.

Published June 1990
Boomalli
Feature
Brenda L Croft

Looks at the artist's co-operative Boomalli located in Sydney NSW.

Published June 1990
Donna Leslie
Artist Profile
Natalie Greenwood

Looks at the art practice of Donna Leslie.

Published June 1990
Centre for Aboriginal Studies in Music
Feature
Ben L Yengi

Located in the University of Adelaide in South Australia the Centre for Aboriginal Studies in Music was set up in 1972 in order that many aboriginal people both urban and tribal may develp effective skills of communicating their cultural, social, political and economic feelings through music to Australian people and the world at large.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
 
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