Poetry in Review

Cover of Poetry in Review
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
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Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
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Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Axolotl
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Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
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Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Aboriginal poet Ken Canning ( Burraga Gutya) looks at the nature of poetry. 3 poems of Burraga Gutya included in the issue.

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More from this Issue Full Issue Contents

Art Co-ordinator: No Ordinary Job
Feature
Djon Mundine

Interview with Djon Mundine and Howard Morphy at Ramingining in Arnhem Land, Northern Territory (with assistance from Luke Taylor).

Published June 1990
To Clean a Rusty ANCAA
Feature
Steve Anderson

The Association of Northern and Central Australian Aboriginal Artists.

Published June 1990
Murris' Coming Out Show
Feature
Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
Feature
Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
A Playwrights Story
Feature
Raymond Kelly

"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."

Published June 1990
Narrangunnawali in Canberra
Feature
Sylvia Kleinert

Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.

Published June 1990
Flinders University of South Australia: Aboriginal Artists in Residence Programme
Feature
Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

Published June 1990
Warlukurlangu Artists
Feature
Christine Lennard

Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.

Published June 1990
Paddy Fordham Wainburranga
Feature
Sharon Monty

Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.

Published June 1990
Aboriginal Music; Broome Style: Towards Bran Nue Dae
Feature
Marion Granich

Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.

Published June 1990
Robert Campbell Junior
Artist Profile
Robert Campbell Jnr

The artist talks about his art practice.

Published June 1990
Jabiru
Feature
Alan Dargin

"I joined the Jabiru Cabaret in Cairns as one of the ten founding cast members in November 1988. The excitement for me as a performer, is to bridge the gap of understanding between various races, colours, cultures and countries. To witness the audience reaction to us as a group performing in three distinct areas makes us all feel very close to achieving the message of a minority through our art."

Published June 1990
 
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