Copyright and Issues of Appropriation

Cover of Copyright and Issues of Appropriation
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
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The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
NAVA
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The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
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Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

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More from this Issue Full Issue Contents

Flinders University of South Australia: Aboriginal Artists in Residence Programme
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Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

Published June 1990
Black Radio in Cairns
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Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Superstar or Generic
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Michael Rae

Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?

Published June 1990
Maningrida: Traditions Open to Change
Feature
Diane Moon

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

Published June 1990
The Aboriginal Copyright Cases
Feature
Martin Hardie

At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
Pitchat and Beyond
Feature
Neil Turner

Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.

Published June 1990
Wanjidari
Artist Profile
Libby Morgan

Looks at the art practice of Wanjidari.

Published June 1990
Utopia
Feature
Christopher Hodges

The people of Utopia have been making important visual images for thousands of years, on their bodies and ceremonial objects. In 1977 these images leapt onto lengths of silk via the batik technique and it was in this medium that the women of Utopia went on to establish a reputation for themselvs with their powerful images and distinctive style.

Published June 1990
Lin Onus - Cultural Mechanic
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Michael Eather

Contemplating the work of Lin Onus the artist, the arts administrator and the panel beating mechanic.

Published June 1990
Australia to the World
Feature
Michael O+Ferrall

In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.

Published June 1990
ANTT Aboriginal National Theatre Trust Limited
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Vivian Walker

The Aboriginal National Theatre Trust Limited arose out of Forums of Aboriginal Performing Artists, Playwrights and Technicians attending the first National Black Playwrights Conference held at the Australian National University in Canberra 1987.

Published June 1990
 
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