Copyright and Issues of Appropriation

Cover of Copyright and Issues of Appropriation
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The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
MGNSW
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
NAVA
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

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More from this Issue Full Issue Contents

Black Radio in Cairns
Feature
Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Aboriginal Theatre in Tasmania
Feature
Jim Everett

"From the time that whites arrived in Tasmania and up until 1983 Aboriginal performing arts especially theatre arts, had become almost as extinct as whites would have people believe Tasmanian Aborigines were. Not so!"

Published June 1990
Jumbana Designs
Feature
David Kerr

John and Ros Moriarty of Jumbuna Designs in interview.

Published June 1990
Aboriginal Arts Unit Australia Council
Feature
Lesley Fogarty

The Aboriginal Arts Board was dis-established in June 1989...the Australia Council established the Aboriginal Arts Committee to replace the Board.

Published June 1990
Kinship and the Dreaming
Feature
Neva Grzybowicz

Looks at a family history project beginning with the Koonibba Mission in South Australia.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
Feature
Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
Maningrida: Traditions Open to Change
Feature
Diane Moon

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

Published June 1990
Les Griggs
Artist Profile
Megan Griggs

Examines the paintings of Les Griggs.

Published June 1990
FAIRA: Cultural Heritage Initiatives in Queensland
Feature
Bob Weatherall

The Foundation for Aboriginal and Islander Research Action is an independent Aboriginal community based and controlled organisation located in Brisbane Queensland.

Published June 1990
Australia to the World
Feature
Michael O+Ferrall

In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.

Published June 1990
Isolation: Jimmy Pike and Patricia Lowe in the Great Sandy Desert
Feature
Patricia Lowe

There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.

Published June 1990
Judy Watson
Artist Profile
Margriet Bonnin

Looks at the paintings of Judy Watson.

Published June 1990
 
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