Copyright and Issues of Appropriation

Cover of Copyright and Issues of Appropriation
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Promo
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Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Crown Resorts
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

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Isolation: Jimmy Pike and Patricia Lowe in the Great Sandy Desert
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Patricia Lowe

There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.

Published June 1990
Australia to the World
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Michael O+Ferrall

In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.

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Flinders University of South Australia: Aboriginal Artists in Residence Programme
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Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

Published June 1990
Murris' Coming Out Show
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Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
Birrukmarri
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Mary Wright

Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.

Published June 1990
A Memorial for the Dead: John Mundine on a Project to Commemorate 200 Years of Loss
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Howard Morphy interviews Djon Mundine about the Aboriginal Memorial - a collection of hollow log coffins made by artists of the community of Ramingining in the Northern Territory, to commemorate Aboriginal people who had died since the invasion of Australia in 1788

Published June 1990
Lin Onus - Cultural Mechanic
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Michael Eather

Contemplating the work of Lin Onus the artist, the arts administrator and the panel beating mechanic.

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An Artist's Project: Banduk Marika
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Margie West

Margie West talks to NE Arnhem Land artist Banduk Marika about artists working in Yirrkala, an Aboriginal community. She addresses traditional ceremonies today, the appropriate use of traditional designs, payment for work, copyright, and working to redress environmental damage to the beaches and lands by regenerating native trees and plants.

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To Clean a Rusty ANCAA
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Steve Anderson

The Association of Northern and Central Australian Aboriginal Artists.

Published June 1990
Designer Aboriginals
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Bronwyn Bancroft

Looks at her art practice and design issues, copyright and textiles.

Published June 1990
Keringke Arts
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Cait Wait

Looks at the Santa Teresa Community 80 kilometres south of Alice Spring and home of the Arrernte people where the Keringke Arts Centre was established in 1987.

Published June 1990
Aboriginal Community College - Port Adelaide
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Charlie Schiavone

The broad aims of the Aboriginal Community College in Port Adelaide, South Australia, are to provide time, space, and resources to Aboriginal people that will allow them to make discoveries about themselves, their heritage and their environment, and to move in directions that they establish as relevant to themselves and/or their community.

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