Copyright and Issues of Appropriation

Cover of Copyright and Issues of Appropriation
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Guildhouse
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
NAVA
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

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More from this Issue Full Issue Contents

Judy Watson
Artist Profile
Margriet Bonnin

Looks at the paintings of Judy Watson.

Published June 1990
Sally Morgan Speaks
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Sally Morgan

The artist speaks about her art practice.

Published June 1990
ANTT Aboriginal National Theatre Trust Limited
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Vivian Walker

The Aboriginal National Theatre Trust Limited arose out of Forums of Aboriginal Performing Artists, Playwrights and Technicians attending the first National Black Playwrights Conference held at the Australian National University in Canberra 1987.

Published June 1990
Gordon Bennett: Expressions of Constructed Identity
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Anne Kirker

Gordon Bennett interviewed on the development of his work.

Published June 1990
Two Artists from Yuendumu
Feature
Christine Lennard

Interview with Norah Nelson and Frank Bronson of Warlukurlangu Artists of Yuendumu prior to their first solo exhibition 'Our Dreaming' at the Dreamtime Gallery Perth Western Australia 18 February - 10 March 1990 Perth Festival.

Published June 1990
Aboriginal Music; Broome Style: Towards Bran Nue Dae
Feature
Marion Granich

Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.

Published June 1990
An Artist's Project: Banduk Marika
Feature
Margie West

Margie West talks to NE Arnhem Land artist Banduk Marika about artists working in Yirrkala, an Aboriginal community. She addresses traditional ceremonies today, the appropriate use of traditional designs, payment for work, copyright, and working to redress environmental damage to the beaches and lands by regenerating native trees and plants.

Published June 1990
Centre for Aboriginal Studies in Music
Feature
Ben L Yengi

Located in the University of Adelaide in South Australia the Centre for Aboriginal Studies in Music was set up in 1972 in order that many aboriginal people both urban and tribal may develp effective skills of communicating their cultural, social, political and economic feelings through music to Australian people and the world at large.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Flinders University of South Australia: Aboriginal Artists in Residence Programme
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Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

Published June 1990
Milpatjunanyi: Recent Pitjantjatjara Women's Painting
Feature
John Kean

The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

Published June 1990
Mural at Port Lincoln: Kerry Giles and Melanie Howard
Artist Profile
Felicity Wright

Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.

Published June 1990