Superstar or Generic

Cover of Superstar or Generic
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Sydney Opera House
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?

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More from this Issue Full Issue Contents

Kinship and the Dreaming
Feature
Neva Grzybowicz

Looks at a family history project beginning with the Koonibba Mission in South Australia.

Published June 1990
Designer Aboriginals
Feature
Bronwyn Bancroft

Looks at her art practice and design issues, copyright and textiles.

Published June 1990
Aboriginal Arts Unit Australia Council
Feature
Lesley Fogarty

The Aboriginal Arts Board was dis-established in June 1989...the Australia Council established the Aboriginal Arts Committee to replace the Board.

Published June 1990
Peter Dabah
Artist Profile
Vincent Megaw

Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.

Published June 1990
Bibliography
Feature
Vincent Megaw

Supplementary bibliography to the major work by Adrian Marrie 1987 'A Topical bibliography of Australian Aboriginal Visual Arts 3' ed ASTEC SA College of Advanced Education (now the University of South Australia) Underdale SA.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Balance 1990
Feature
Louise Dauth

Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.

Published June 1990
Birrukmarri
Feature
Mary Wright

Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.

Published June 1990
A Memorial for the Dead: John Mundine on a Project to Commemorate 200 Years of Loss
Feature
Djon Mundine

Howard Morphy interviews Djon Mundine about the Aboriginal Memorial - a collection of hollow log coffins made by artists of the community of Ramingining in the Northern Territory, to commemorate Aboriginal people who had died since the invasion of Australia in 1788

Published June 1990
Black Radio in Cairns
Feature
Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Pitchat and Beyond
Feature
Neil Turner

Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.

Published June 1990
Country in Mind
Feature
Jenny Green

In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.

Published June 1990
 
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