Published 01 June 2019
State Library of NSW
Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.
Howard Morphy interviews Djon Mundine about the Aboriginal Memorial - a collection of hollow log coffins made by artists of the community of Ramingining in the Northern Territory, to commemorate Aboriginal people who had died since the invasion of Australia in 1788
Published June 1990
Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.
Looks at the art practice of Maree Clarke.
The artist talks about his art practice.
The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.
Looks at the artist's co-operative Boomalli located in Sydney NSW.
Looks at the art practice of Milton Budge.
Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.
Looks at her art practice and design issues, copyright and textiles.
The Aboriginal and Torres Strait Islander Art Education Centre in Cairns is a vocational school of Arts aimed at the development and realisation of Aboriginal artistic talent.
Looks at the art practice of Victorian artist Gayle Maddigan.
If the 70s is remembered as a period of nurture for Aboriginal art, the 1980s will certainly be remembered as the decade of its dramatic development...there has been an eflorescence of community based enterprises in the remote areas of Australia.