Published 01 September 2005
Published 01 June 2020
Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.
It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.
Published June 1990
Looks at the art practice of Milton Budge.
Published 01 March 1990
Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.
Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.
This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.
Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.
Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.
"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.
Looks at the art practice of Maree Clarke.
Margie West talks to NE Arnhem Land artist Banduk Marika about artists working in Yirrkala, an Aboriginal community. She addresses traditional ceremonies today, the appropriate use of traditional designs, payment for work, copyright, and working to redress environmental damage to the beaches and lands by regenerating native trees and plants.