Come Again: Aldo Lacobelli

Cover of Come Again: Aldo Lacobelli
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Artlink Subs Promo
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019
1.122
Other Suns: Cult Sci-fi Cinema and Art

Fremantle Arts Centre

Review
Francis Russell

Published 23 August 2019
Artlink Promo
1.126
Angela Valamanesh: About Being Here

Jam Factory

Review
Liv Spiers

Published 23 August 2019
1.166
FEM-aFFINITY

Arts Project Australia

Review
Jacqueline Millner

Published 23 August 2019

Exhibition review Souvenirs Aldo Iacobelli Experimental Art Foundation South Australia 22 October - 15 November 1992

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Cinema or Death
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What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.

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Independent Distribution and Exhibition
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In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.

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Brother Can You Spare a SP Betacam
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A Golden Threat: Feminisms
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Monica Pellizari's Short Black Look at the Italian-Australian Experience
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The title of Monical Pellizari's recently completed short film has a characteristically wry double edge. 'Just Desserts (1993)' tempers an unfortunates Australian maxim with distinctive humour. This film is a delight, a consolidation of the stylistic and thematic concerns of her previous 3 films in 13 witty and evocative minutes.

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"I Am Not A TV Show"
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Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
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Expressionism and modernism. Two old fashioned words in these days of post modernism.

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Perplexities: Experimenta 1992
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Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.

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Against 'Neofuturism': Women Artists in Technological Media
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More Bangs for Bucks: Male Sexuality and Violence in Australian Film
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Museum Screen Dreams
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