Come Again: Aldo Lacobelli

Cover of Come Again: Aldo Lacobelli
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019
1.128
Unhallowed Arts

Various venues, Perth

Review
Darren Jorgensen and Gemma Weston

Published 18 January 2019
Crown Resorts
1.126
The Partnershipping Project

Burnie Regional Art Gallery

Review
Seán Kelly

Published 18 January 2019
1.174
6th Guangzhou Triennial

Guangdong Museum of Art

Review
Darren Jorgensen and Tami Xiang

Published 18 January 2019
1.266
Jude Adams: Narratives from the Family Album

artroom5

Review
Zoe Freney

Published 10 December 2018
ACE Open
1.302
Bush Women

Fremantle Arts Centre

Review
Gemma Weston

Published 10 December 2018
1.126
Oceania

Royal Academy, London

Review
Mandy Treagus

Published 07 December 2018

Exhibition review Souvenirs Aldo Iacobelli Experimental Art Foundation South Australia 22 October - 15 November 1992

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More from this Issue Full Issue Contents

One Way Street
Feature
John Hughes

John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

Published March 1993
The 7th International Video Festival
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Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

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"Just Trust The Text, Don't Colour It"
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Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Lesbian Independent Cinema and Queer Theory
Feature
Barbara Creed

Lesbians do not exist in mainstream Australian cinema. Apart from a brief sequence representing youthful lesbian desire in 'The Getting of Wisdom (1977)' and the undercurrent of adolescent homoeroticism in 'Picnic at Hanging Rock (1975)' Australian cinema has remained mute - perhaps dumbstruck might be a more appropriate term - in relation to the issue of desire between women.

Published March 1993
Independent Distribution and Exhibition
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Paul Kalina

In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.

Published March 1993
A Tale of Reproduction and Dependency
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The interface between film and video education and the Independent film and video production.

Published March 1993
Wild: Beyond the Deconstruction
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Deane Williams

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Published March 1993
More Bangs for Bucks: Male Sexuality and Violence in Australian Film
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Chris Berry

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

Published March 1993
Domestic Noir Night Out
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Peter Kemp

Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

Published March 1993
Digital Art
Feature
John Conomos

The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

Published March 1993
The Last Days of Chez Nous: Love Stories and Girls' Blouses
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Leonie Naughton

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

Published March 1993
Colonial Patterns Repeated: Robert Harrison
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Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992

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