Come Again: Aldo Lacobelli

Cover of Come Again: Aldo Lacobelli
1.116
Agatha Gothe-Snape: Trying to Find Comfort in an Uncomfortable Chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019
1.122
Other Suns: Cult Sci-fi Cinema and Art

Fremantle Arts Centre

Review
Francis Russell

Published 23 August 2019
1.126
Angela Valamanesh: About Being Here

Jam Factory

Review
Liv Spiers

Published 23 August 2019
Artlink Subs Promo
1.166
FEM-aFFINITY

Arts Project Australia

Review
Jacqueline Millner

Published 23 August 2019
1.126
Rachel O'Reilly: The Gas Imaginary | Material Place: Reconsidering Australian Landscape

UNSW Galleries

Review
Ann Finegan

Published 23 August 2019
1.126
The Housing Question

Penrith Regional Gallery

Review
Chloé Wolifson

Published 23 August 2019
Adelaide Festival Centre
1.126
Noriko Nakamura: The force that the warrior adopts during the evolution of the pale pink rose

CAVES

Review
Amelia Wallin

Published 11 July 2019
1.324
The Hidden Garden: Travis de Vries

Gallery Lane Cove

Review
Djon Mundine

Published 03 July 2019

Exhibition review Souvenirs Aldo Iacobelli Experimental Art Foundation South Australia 22 October - 15 November 1992

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More from this Issue Full Issue Contents

"Just Trust The Text, Don't Colour It"
Feature
Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

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Wild: Beyond the Deconstruction
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Deane Williams

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Published March 1993
Domestic Noir Night Out
Feature
Peter Kemp

Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

Published March 1993
Museum Screen Dreams
Feature
Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
Against 'Neofuturism': Women Artists in Technological Media
Feature
Zoe Sofia

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

Published March 1993
Digital Art
Feature
John Conomos

The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

Published March 1993
The Last Days of Chez Nous: Love Stories and Girls' Blouses
Feature
Leonie Naughton

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

Published March 1993
A Tale of Reproduction and Dependency
Feature
Annabelle Sheehan

The interface between film and video education and the Independent film and video production.

Published March 1993
A Golden Threat: Feminisms
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David Bromfield

Exhibition review Feminisms
Curated by Niki Miller
Perth Institute of Contemporary Arts
Western Australia
November 1 - 28 1992

Published March 1993
The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
More Bangs for Bucks: Male Sexuality and Violence in Australian Film
Feature
Chris Berry

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

Published March 1993
One Way Street
Feature
John Hughes

John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

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