Come Again: Aldo Lacobelli

Cover of Come Again: Aldo Lacobelli
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
0.786
Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
NAVA
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
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The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020
UNSW
0.77
2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
0.776
2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020

Exhibition review Souvenirs Aldo Iacobelli Experimental Art Foundation South Australia 22 October - 15 November 1992

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More from this Issue Full Issue Contents

Lesbian Independent Cinema and Queer Theory
Feature
Barbara Creed

Lesbians do not exist in mainstream Australian cinema. Apart from a brief sequence representing youthful lesbian desire in 'The Getting of Wisdom (1977)' and the undercurrent of adolescent homoeroticism in 'Picnic at Hanging Rock (1975)' Australian cinema has remained mute - perhaps dumbstruck might be a more appropriate term - in relation to the issue of desire between women.

Published March 1993
Floral Tributes: The Flower
Review
Peter Hill

Exhibition review The Flower
Curated by Paul Zika
Plimsoll Gallery, Centre for the Arts
Hobart Tasmania

Published March 1993
"I Am Not A TV Show"
Feature
Marion Benjamin

"I am not a TV show, this is not a TV show." These are the oft-spoken words of Tony Tjamu, Chairperson of the Mutitjulu Community at Uluru (Ayers Rock) in the Pitjantjatjara Lands of Central Australia. Their repetition reveals something of the exasperation born of the visibility of being Aboriginal in a predominantly white Australia.

Published March 1993
The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Aleksi Vellis
Feature
Deb Verhoeven

Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

Published March 1993
Who Told You We Wanted To Make Our Own TV?
Feature
Philip Batty

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

Published March 1993
A Tale of Reproduction and Dependency
Feature
Annabelle Sheehan

The interface between film and video education and the Independent film and video production.

Published March 1993
Memory and Image: The Multiculturalism in Film Project
Feature
Cecelia Cmielewski

It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.

Published March 1993
Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
Feature
John McConchie

Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

Published March 1993
Transformation of the Real: Constantine Koukias and Ann Wulff
Review
Jane Deeth

Review To Traverse Water
IHOS Opera Hobart, Tasmania
Constantine Koukias and Ann Wulff

Published March 1993
Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
Feature
Marcus Breen

Expressionism and modernism. Two old fashioned words in these days of post modernism.

Published March 1993
More Bangs for Bucks: Male Sexuality and Violence in Australian Film
Feature
Chris Berry

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

Published March 1993
 
QAGOMA
Bill Morrow
MGNSW
CAT
ACE Open