Wild: Beyond the Deconstruction

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

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Floral Tributes: The Flower

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The Pure and The Impure: Shaun Kirby

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Ken Bolton

Redemptive Moments Through Utter Despair: The Films of Brian McKenzie

Expressionism and modernism. Two old fashioned words in these days of post modernism.

Marcus Breen

The Last Days of Chez Nous: Love Stories and Girls' Blouses

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

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More Bangs for Bucks: Male Sexuality and Violence in Australian Film

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Chris Berry

Digital Art

The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

John Conomos

"Just Trust The Text, Don't Colour It"

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Deb Verhoeven

"I Am Not A TV Show"

"I am not a TV show, this is not a TV show." These are the oft-spoken words of Tony Tjamu, Chairperson of the Mutitjulu Community at Uluru (Ayers Rock) in the Pitjantjatjara Lands of Central Australia. Their repetition reveals something of the exasperation born of the visibility of being Aboriginal in a predominantly white Australia.

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Brother Can You Spare a SP Betacam

Discussion with George Mannix. If there is any form of expression that eats money it is the feature length movie. Camera, lights and actors all cost big bucks and many ideas have stopped at the drawing board simply because there wasn't enough money. Independent Producer George Mannix had other ideas.

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A Golden Threat: Feminisms

Exhibition review Feminisms Curated by Niki Miller Perth Institute of Contemporary Arts Western Australia November 1 - 28 1992

David Bromfield

Who Told You We Wanted To Make Our Own TV?

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

Philip Batty

Domestic Noir Night Out

Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

Peter Kemp

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