The Last Days of Chez Nous: Love Stories and Girls' Blouses

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

More from this Issue

Wild: Beyond the Deconstruction

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Deane Williams

The Pure and The Impure: Shaun Kirby

Exhibition review Cultic Gloss: Shaun Kirby Contemporary Art Centre Adelaide, South Australia October 23 - November 24 1992

Ken Bolton

Memory and Image: The Multiculturalism in Film Project

It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.

Cecelia Cmielewski

The 7th International Video Festival

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Jan Birmingham

A Golden Threat: Feminisms

Exhibition review Feminisms Curated by Niki Miller Perth Institute of Contemporary Arts Western Australia November 1 - 28 1992

David Bromfield

Delayed Voyage: George Popperwell

Exhibition review George Popperwell: Recent Works Contemporary Art Centre, Adelaide, South Australia September 25 - October 8 1992

Richard Grayson

Museum Screen Dreams

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Gordon Du Rich

A Tale of Reproduction and Dependency

The interface between film and video education and the Independent film and video production.

Annabelle Sheehan

"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

Audrey Yue

Who Told You We Wanted To Make Our Own TV?

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

Philip Batty

Perplexities: Experimenta 1992

Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.

John Cumming

Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film

Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

John McConchie

View all articles in this issue