More Bangs for Bucks: Male Sexuality and Violence in Australian Film

Cover of More Bangs for Bucks: Male Sexuality and Violence in Australian Film
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The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
Artlink Promo
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
NAVA
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

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More from this Issue Full Issue Contents

Film and Video
Editorial
Annette Blonski

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

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One Way Street
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John Hughes

John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

Published March 1993
Wizards of Oz: Into the 90s - Between Documentary and Fiction
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Freda Freiberg

In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.

Published March 1993
Cinema or Death
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Anna Epstein

What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.

Published March 1993
TV Eye: Cinema in the Age of Video
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Leon Marvell

In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

Published March 1993
The 7th International Video Festival
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Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Memory and Image: The Multiculturalism in Film Project
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Cecelia Cmielewski

It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.

Published March 1993
"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
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Audrey Yue

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

Published March 1993
Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
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Marcus Breen

Expressionism and modernism. Two old fashioned words in these days of post modernism.

Published March 1993
Pretty as a Picture: Women Artists and the Heidelberg Era
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Exhibition review Completing the Picture: Women artists and the Heidelberg era
Carrick Hill, South Australia
8 November - 6 December 1992

Published March 1993
Wild: Beyond the Deconstruction
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Deane Williams

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Published March 1993
Colonial Patterns Repeated: Robert Harrison
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Margaret Worth

Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
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City of Melville
UNSW
Darwin Aboriginal Art Fair
Artlink Subs Promo
MGNSW