More Bangs for Bucks: Male Sexuality and Violence in Australian Film

Cover of More Bangs for Bucks: Male Sexuality and Violence in Australian Film
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Axolotl
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Joondalup
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

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Museum Screen Dreams
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Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

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Independent Distribution and Exhibition
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In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.

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Digital Art
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The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

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Wild: Beyond the Deconstruction
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To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

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Cinema or Death
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What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.

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A Golden Threat: Feminisms
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Exhibition review Feminisms
Curated by Niki Miller
Perth Institute of Contemporary Arts
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November 1 - 28 1992

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"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
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Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

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"Just Trust The Text, Don't Colour It"
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The End of Independence? Women's Film and Video in the 1990s
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Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

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The 7th International Video Festival
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Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

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TV Eye: Cinema in the Age of Video
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In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

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Aleksi Vellis
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