Film and Video

Cover of Film and Video
0.8
Editorial: In Public / Inside
Editorial
Daniel Mudie Cunningham

Published 25 August 2021
0.698
Editorial: Fashion. Performance. Industry.
Editorial
Ann Finegan

Published April 2021
0.786
Editorial: Biopic
Editorial
Eve Sullivan

Published 01 December 2020
City of Unley 3
0.784
Editorial: The art of compassion
Editorial
Alasdair Foster

Published 01 September 2020
0.786
Editorial: Kin Constellations: Languages, waters, futures
Editorial

Published 01 June 2020
0.666
On hold in hard times
Editorial
Eve Sullivan

Published 08 April 2020
Gallery Lane Cove
0.77
Editorial: It's Time
Editorial
Eve Sullivan

Published 01 March 2019
0.762
Editorial: Food Bowl
Editorial
Eve Sullivan

Published 01 December 2019

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

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More from this Issue Full Issue Contents

A Tale of Reproduction and Dependency
Feature
Annabelle Sheehan

The interface between film and video education and the Independent film and video production.

Published March 1993
Against 'Neofuturism': Women Artists in Technological Media
Feature
Zoe Sofia

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

Published March 1993
One Way Street
Feature
John Hughes

John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

Published March 1993
"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
Feature
Audrey Yue

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

Published March 1993
The End of Independence? Women's Film and Video in the 1990s
Feature
Sue Maslin

Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

Published March 1993
Museum Screen Dreams
Feature
Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
Cinema or Death
Feature
Anna Epstein

What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.

Published March 1993
The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Aleksi Vellis
Feature
Deb Verhoeven

Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

Published March 1993
Floral Tributes: The Flower
Review
Peter Hill

Exhibition review The Flower
Curated by Paul Zika
Plimsoll Gallery, Centre for the Arts
Hobart Tasmania

Published March 1993
Who Told You We Wanted To Make Our Own TV?
Feature
Philip Batty

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

Published March 1993
The Pure and The Impure: Shaun Kirby
Review
Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
 
NAVA
Hyphenated Projects
Guildhouse