Film and Video

Cover of Film and Video
1.126
Editorial: Food Bowl
Editorial
Eve Sullivan

Published 01 December 2019
1.304
Editorial: New futures in art education
Editorial
Maria Bilske and Belinda MacGill

Published 01 September 2019
1.126
Editorial: Indigenous storytelling in a digital world
Editorial
Larissa Behrendt and Pauline Clague

Published 01 June 2019
Artlink Subs Promo
1.126
Editorial: Local colour
Editorial
Eve Sullivan

Published 01 March 2019
Editorial: Ways of seeing
Editorial
Julianne Pierce

Published 01 December 2018
1.126
Editorial: Human Flow
Editorial
Eve Sullivan

Published 01 September 2018
Metro Tunnel (Vic Gov)
1.27
Editorial: Considering the animals
Editorial
Eve Sullivan

Published 01 March 2018
1.264
Editorial: Positioning Feminism
Editorial
Eve Sullivan

Published 01 December 2017

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

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More from this Issue Full Issue Contents

Monica Pellizari's Short Black Look at the Italian-Australian Experience
Feature
Rose Capp

The title of Monical Pellizari's recently completed short film has a characteristically wry double edge. 'Just Desserts (1993)' tempers an unfortunates Australian maxim with distinctive humour. This film is a delight, a consolidation of the stylistic and thematic concerns of her previous 3 films in 13 witty and evocative minutes.

Published March 1993
The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Museum Screen Dreams
Feature
Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
Transformation of the Real: Constantine Koukias and Ann Wulff
Review
Jane Deeth

Review To Traverse Water
IHOS Opera Hobart, Tasmania
Constantine Koukias and Ann Wulff

Published March 1993
TV Eye: Cinema in the Age of Video
Feature
Leon Marvell

In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

Published March 1993
The End of Independence? Women's Film and Video in the 1990s
Feature
Sue Maslin

Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

Published March 1993
Delayed Voyage: George Popperwell
Review
Richard Grayson

Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992

Published March 1993
One Way Street
Feature
John Hughes

John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

Published March 1993
Come Again: Aldo Lacobelli
Review
John Neylon

Exhibition review Souvenirs Aldo Iacobelli
Experimental Art Foundation
South Australia
22 October - 15 November 1992

Published March 1993
Colonial Patterns Repeated: Robert Harrison
Review
Margaret Worth

Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992

Published March 1993
Aleksi Vellis
Feature
Deb Verhoeven

Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

Published March 1993
Brother Can You Spare a SP Betacam
Feature
Russell Edwards

Discussion with George Mannix. If there is any form of expression that eats money it is the feature length movie. Camera, lights and actors all cost big bucks and many ideas have stopped at the drawing board simply because there wasn't enough money. Independent Producer George Mannix had other ideas.

Published March 1993