More from this Issue
Memories of a Nebula
Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994
Revelations of a decade
Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia
Re-orienting Feminism in Aotearoa
During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.
Someday, Somewhere - Women and Nation in International Art
However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.
The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.
Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines
Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.
Speaking the Ineffable: New Directions in Performance Art
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Sight Lines
Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75
Printmaking and Optimism
Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994