Published 01 December 2018
Examination of the art practice of Nola Farman.
How do we define ourselves? What are the choices for women these days?
Published March 1994
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.
Fremantle Arts Centre, Western Australia
5 November - 10 December 1993
However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.
Looks at the work of three Queensland artists working in different ways with computers.
Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75
Fab art: Works by Kerry Giles (Kurwingie)
Adelaide South Australia
23 November - December 1993
The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.
Dick Bett Gallery, Hobart, Tasmania
Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia
Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.