Published 30 March 2022
Examination of the art practice of Nola Farman.
Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.
Published March 1994
Lap : an installation view. Keitha Phelps Five Different Homes. Louise Haselton Contemporary Art Centre 19 November- 12 December 1993
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.
"Women in art must look to the future as they have no past" said Mary Cecil Allen at an opening of the Melbourne Society of Women Painters and Sculptors in 1935. A critical examination of the current art practices of women in Australia.
Fab art: Works by Kerry Giles (Kurwingie) Gallerie Australis Adelaide South Australia 23 November - December 1993
Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.
Bunbury Regional Galleries November 1993
Looks at the art practice of 5 Western Australian women artists: Helen Taylor, Alison Rowley, Moira Doropoulos, Michelle Elliot and Linda Banazis.
Fountain installation by Derek Kreckler Experimental Art Foundation Adelaide South Australia 2-24 December 1993 and 11-23 January 1994
Fremantle Arts Centre, Western Australia 5 November - 10 December 1993
Review Bad Girls: Institute of Contemporary Art London 7 October - 5 December 1993. Using glamour, virginity and stardom to attract as wide an audience as possible to a show of supposedly anarchic women artists all hoping to confront notions of sexuality and gender was a smart, if questionable, move....
