Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines

Cover of Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines
0.818
Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
0.87
'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
0.75
Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
City of Unley 2
0.686
First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
0.844
Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature

Published 25 August 2021
0.844
Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
NAVA
0.666
Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
0.8
A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021

Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.

Buy   or   Subscribe
Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Sight Lines
Book Review
Jude Adams

Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75

Published March 1994
Shedding Skins: Identity and 'Lesbian' Art Practice
Feature
Barbara Bolt

What does it mean to present as a 'lesbian' artist? The very identity categories 'gay', 'lesbian', 'heterosexual' are extremely problematic. Now that 'I' am out, I find that I am in - inside a category that reduces rather than expands possibilities for me, not just as an artist, but as a person.

Published March 1994
Speaking the Ineffable: New Directions in Performance Art
Feature
Amanda King

Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.

Published March 1994
Nola Farman: The Challenge Continues
Feature
Christine Sharkey

Examination of the art practice of Nola Farman.

Published March 1994
More Light (Goethe's last words)
Review
Richard Grayson

Craig Andrae Miscellaneous Remarks
Contemporary Art Centre
Adelaide, South Australia
3 September - 3 October 1993

Published March 1994
Artrave
Artrave

Published March 1994
Different Dreaming
Review
Jyanni Steffensen

Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993

Published March 1994
Bad Girls: Institute of Contemporary Art London
Review
Suzanne Treister

Review Bad Girls: Institute of Contemporary Art London 7 October - 5 December 1993. Using glamour, virginity and stardom to attract as wide an audience as possible to a show of supposedly anarchic women artists all hoping to confront notions of sexuality and gender was a smart, if questionable, move....

Published March 1994
En-Gendering Resistance: Opening Moves with Game Girl
Review
Deborah White

All New Gen Game Girl
by VNS Matrix
(Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation
Adelaide South Australia
21 October - 21 November 1993

Published March 1994
Printmaking and Optimism
Review
Sean Kelly

Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994

Published March 1994
Far Beyond First Impressions
Review
Lorraine Hepburn

Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

Published March 1994
 
Guildhouse
Sydney Contemporary
Riddoch
Desart 1