Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines

Cover of Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines
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Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
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Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
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The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
Artlink Promo
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Crafty prepping
Feature
Sera Waters

Published 01 March 2020
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2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
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Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020
Australian Body Art Festival
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019

Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.

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More from this Issue Full Issue Contents

The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
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Donald Brook

Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.

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Nola Farman: The Challenge Continues
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Examination of the art practice of Nola Farman.

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Far Beyond First Impressions
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Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

Published March 1994
HER-ESIES Ancient and Modern
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Juliette Peers

"Women in art must look to the future as they have no past" said Mary Cecil Allen at an opening of the Melbourne Society of Women Painters and Sculptors in 1935. A critical examination of the current art practices of women in Australia.

Published March 1994
What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Memories of a Nebula
Review
Steve Wigg

Fountain installation by Derek Kreckler
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Adelaide South Australia
2-24 December 1993 and 11-23 January 1994

Published March 1994
Revelations of a decade
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Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
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Published March 1994
Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
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Nicholas Zurbrugg

Looks at the work of three Queensland artists working in different ways with computers.

Published March 1994
Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
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Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

Published March 1994
Shedding Skins: Identity and 'Lesbian' Art Practice
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Barbara Bolt

What does it mean to present as a 'lesbian' artist? The very identity categories 'gay', 'lesbian', 'heterosexual' are extremely problematic. Now that 'I' am out, I find that I am in - inside a category that reduces rather than expands possibilities for me, not just as an artist, but as a person.

Published March 1994
Sadomaschism, Art and the Lesbian Sexual revolution
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Sheila Jeffreys

Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

Published March 1994
The Changing Face of Australian Women
Feature
Anna Epstein

Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.

Published March 1994