Published 14 May 2020
Published 01 December 2019
Published 01 March 2020
Published 01 January 2020
Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.
Presentation and artist statement by contemporary female art practitioners. Women looking as feminist, feminine, female, femme, feminal. Artists featured: Frances Joseph, Angela Stewart, Maryanne Coutts, Noela Hjorth, Jill Kempson, Maria Kuczynska, Rosslynd Piggott, Eugenia Raskopoulos, C. Moore Hardy, Alex Macfadyen, Janet Neilson, Deborah Paauwe, Virginia Barratt, Linda Dement, Susie Hansen, Janina Green, Joy Smith, Madeleine Winch, Kathie Muir, Libby Round, Pam Johnston, Merryn Eirth, Dee Jones, Di Barrett, Frances Phoenix and Ella Dreyfus.
Published March 1994
Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994
A survey of current issues, events and projects with respect to women's art from around Australia.
Dick Bett Gallery, Hobart, Tasmania
During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.
The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.
Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993
What does it mean to present as a 'lesbian' artist? The very identity categories 'gay', 'lesbian', 'heterosexual' are extremely problematic. Now that 'I' am out, I find that I am in - inside a category that reduces rather than expands possibilities for me, not just as an artist, but as a person.
Review Bad Girls: Institute of Contemporary Art London 7 October - 5 December 1993. Using glamour, virginity and stardom to attract as wide an audience as possible to a show of supposedly anarchic women artists all hoping to confront notions of sexuality and gender was a smart, if questionable, move....