Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten

Cover of Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Artlink Subs Promo
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
Artlink Promo
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
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Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.

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Jillian Davey: Stories on Canvas
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Jenni Dudley

Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.

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Someday, Somewhere - Women and Nation in International Art
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Sue Rowley

However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.

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The Art World: More Than a Foothold
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Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.

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Update: Projects of Women and Art
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A survey of current issues, events and projects with respect to women's art from around Australia.

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Bad Girls: Institute of Contemporary Art London
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Review Bad Girls: Institute of Contemporary Art London 7 October - 5 December 1993. Using glamour, virginity and stardom to attract as wide an audience as possible to a show of supposedly anarchic women artists all hoping to confront notions of sexuality and gender was a smart, if questionable, move....

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More Light (Goethe's last words)
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Craig Andrae Miscellaneous Remarks
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Reaffirming Identity
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Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
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The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
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Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.

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Far Beyond First Impressions
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Order Australis
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Printmaking and Optimism
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Sadomaschism, Art and the Lesbian Sexual revolution
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Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

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