Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten

Cover of Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
NAVA
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Axolotl
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.

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More from this Issue Full Issue Contents

Someday, Somewhere - Women and Nation in International Art
Feature
Sue Rowley

However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.

Published March 1994
The Amazingness of Women to JUST DO IT
Review
Mara Mann

Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.

Published March 1994
Trapped in Paradise - Some Women Artists in Tasmania
Feature
Victoria Hammond

The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.

Published March 1994
The Changing Face of Australian Women
Feature
Anna Epstein

Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.

Published March 1994
Sight Lines
Book Review
Jude Adams

Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75

Published March 1994
Memories of a Nebula
Review
Steve Wigg

Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994

Published March 1994
Image Bank: The Feminist Project
Feature
Stephanie Britton

Presentation and artist statement by contemporary female art practitioners. Women looking as feminist, feminine, female, femme, feminal. Artists featured: Frances Joseph, Angela Stewart, Maryanne Coutts, Noela Hjorth, Jill Kempson, Maria Kuczynska, Rosslynd Piggott, Eugenia Raskopoulos, C. Moore Hardy, Alex Macfadyen, Janet Neilson, Deborah Paauwe, Virginia Barratt, Linda Dement, Susie Hansen, Janina Green, Joy Smith, Madeleine Winch, Kathie Muir, Libby Round, Pam Johnston, Merryn Eirth, Dee Jones, Di Barrett, Frances Phoenix and Ella Dreyfus.

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Speaking the Ineffable: New Directions in Performance Art
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Amanda King

Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.

Published March 1994
The Art World: More Than a Foothold
Feature
Melissa Cater

Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.

Published March 1994
Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
Feature
Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

Published March 1994
Memorial to the Survivors
Review
Stephanie Britton

Discussion of the work of Aboriginal artist Hope Neill

Published March 1994
The Engagement of the Personal
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Teri-Ann White

How do we define ourselves? What are the choices for women these days?

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