Margot Osborne on Marijana Tadic

Cover of Margot Osborne on Marijana Tadic
0.77
2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
0.776
2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020
0.77
Cementa19

Kandos, New South Wales

Review
Marco Marcon

Published 05 February 2020
Artlink Subs Promo
0.774
Therese Ritchie: Burning Hearts

Museum and Art Gallery of the Northern Territory

Review
Chips Mackinolty

Published 05 February 2020
1.238
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019
NAVA
1.126
Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art

Art Gallery of South Australia and other venues

Review
Darren Jorgensen

Published 28 November 2019
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019

Exhibition review Passionate Habits Marijana Tadic Contemporary Art Centre of South Australia 11 November - 4 December 1994

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The Terratransformers of Planet Three
Feature
Paul Downton

Re-creation of a living landscape has to happen in farmyards, back-yards, and city squares, it has to be understood and practised at the small scale as well as the large. The remake the landscape for an ecological future we must make it fit for all living beings.

Published March 1995
The Food Chain Starts Here
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Djon Mundine

"We are walking along, sister, singing and making country with the point of our digging sticks. What is that sister? A mangrove shell. We must put it within the mouth of this mat and hide it, making it sacred...Indeed it is sacred to us. Explores the importance of the mangroves to the indigenous people in northern Australia and the links to the Dreaming and their artistic representations."

Published March 1995
Harsh Realities: Artists and the Land
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Michael Eather

Even in the shiny spaces of the big cities, for some the dirt of the paddocks is only just below the surface. Michael Eather talks to three artists who were born and raised in the country, about their current attitudes to the land as a place of production.

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Robyn Daw on Elsje King
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Robyn Daw

Exhibition review Elsje King: Textiles
University Gallery
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9 September - 7 October 1994

Published March 1995
Paul Hay Diary
Review
Paul Hay

Exhibition review Four Point Bearing: Simon Barley, Paul Hay, Ian Parry and James Smeaton
Tasmanian Museum and Art Gallery
26 December 1994 - 25 February 1995
Artist's journal by Paul Hay

Published March 1995
The Struggle for LESS Interesting Pictures
Feature
Beth Field

Beth Field is a farmer and a photographer in the WA wheatbelt facing a curious loss, one she is happy to accept - the dramatic colours of sunsets reflected in the salt lakes which she used to photograph may soon be hard to find as revegetation reclaims the soil. She recounts the changes she has seen in the last decade.

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Maggie Baxter on High Fibre Diet
Review
Maggie Baxter

Exhibition review High Fibre Diet
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Western Australia
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Kay Aldenhoven on Annie Taylor
Review
Kay Aldenhoven

Exhibition review Doggone: Goddog: godingo: dingod
Works by Annie Taylor
24 Hour Art Darwin, Northern Territory
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Mark Stephens on 600,000 Hours
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Mark Stephens

Exhibition review 600,000 Hours (mortality) exhibitions
Experimental Art Foundation
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Cate Jones on Photography
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Cate Jones

Exhibition review Lifeworks: Aboriginal women photographed in action and at work by Aboriginal women photographers
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
7 October - 4 December 1994

Published March 1995
Rene Boutin: An Artist and His Garden
Feature
Lucienne Fontannaz

New Caledonia has become the first Pacific nation to hold a Biennale of Contemporary Visual Art. Lucienne Fontannaz travelled to Noumea to interview artist Rene Boutin and discovered an artist who takes more than the gallery and his studio as his milieu.

Published March 1995
Saved by the Demon - Hemp Lives
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Jamnes Danenberg

Cannibis Sativa as a drug, as uses of hemp - textiles, fabric and paper - as building materials, as oils food and protein, for medical and therapeutic applications, biomass energy... so why is there a prohibition?

Published March 1995