The use of Aesthetics: Food for Thought

Cover of The use of Aesthetics: Food for Thought
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Artlink Subs Promo
1.126
A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
1.126
Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
1.126
Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
NAVA
1.126
Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Aesthetic value is determined by commonly held notions of taste, beauty and attractiveness and differs from culture to culture. How does this influence us in our choice of nourishment - our daily bread, fruit or snack food? Why does food today look like it does?

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

A Piece of EcoCity
Feature
David Munn

The Halifax EcoCity Project is not just the seed for a future ecological Adelaide; it is the embodiment of a new paradigm that is sweeping the planet.

Published March 1995
The Food Chain Starts Here
Feature
Djon Mundine

"We are walking along, sister, singing and making country with the point of our digging sticks. What is that sister? A mangrove shell. We must put it within the mouth of this mat and hide it, making it sacred...Indeed it is sacred to us. Explores the importance of the mangroves to the indigenous people in northern Australia and the links to the Dreaming and their artistic representations."

Published March 1995
David Bromfield on Sculpture
Review
David Bromfield

Exhibition review The Games Room
Stuart Elliott at Lawrence Wilson Art Galley
University of Western Australia
21 October - 4 December 1994
Death of a Myth
Michelle H Elliot at Gomboc Galleries and Sculpture Park
6 - 27 November 1994

Published March 1995
Art about Farming, Farming as an Art?
Feature
James Darling

The daily experience of tending a tract of land in South Australia's south east is the raw material of the art of artist farmer James Darling. 'Define the Country' a major exhibition at the Riddoch Gallery in Mount Gambier of huge images, paintings, videos and installations challenges the way we look at this country. Extracts from the artist's diaries offer a glimpse into the business of making sense of life on the land. Large format (fold out) images in the article.

Published March 1995
Botany and the Body: Fiona Hall
Feature
Dorothy Erickson

To entitle an exhibition 'Garden of Earthly Delights' is to invite comparison with mediaeval Dutch painter Hieronymous Bosch. Fiona Hall's exhibition of this name was toured in 1994 by the National Gallery of Australia.

Published March 1995
Portrait of the Farmer as a Mature Potato
Feature
Malcolm McKinnon

"As with everything else, the country that I have been talking about is frequently regarded as a commodity, be it in relation to yields of primary produce or to spectacles and hypothetical experiences marketed for tourist consumption. Here's the main thing to understand: this commodification is entirely at odds with the appreciation of landscape that I've been trying to tell you about."

Published March 1995
Harsh Realities: Artists and the Land
Feature
Michael Eather

Even in the shiny spaces of the big cities, for some the dirt of the paddocks is only just below the surface. Michael Eather talks to three artists who were born and raised in the country, about their current attitudes to the land as a place of production.

Published March 1995
Rene Boutin: An Artist and His Garden
Feature
Lucienne Fontannaz

New Caledonia has become the first Pacific nation to hold a Biennale of Contemporary Visual Art. Lucienne Fontannaz travelled to Noumea to interview artist Rene Boutin and discovered an artist who takes more than the gallery and his studio as his milieu.

Published March 1995
Cate Jones on Photography
Review
Cate Jones

Exhibition review Lifeworks: Aboriginal women photographed in action and at work by Aboriginal women photographers
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
7 October - 4 December 1994

Published March 1995
Paul Hay Diary
Review
Paul Hay

Exhibition review Four Point Bearing: Simon Barley, Paul Hay, Ian Parry and James Smeaton
Tasmanian Museum and Art Gallery
26 December 1994 - 25 February 1995
Artist's journal by Paul Hay

Published March 1995
Margot Osborne on Marijana Tadic
Review
Margot Osborne

Exhibition review Passionate Habits
Marijana Tadic
Contemporary Art Centre of South Australia
11 November - 4 December 1994

Published March 1995
Culture/Agriculture
Editorial
Stephanie Britton

Agriculture and culture go back a long way. The fact that they actually meet and marry in the word 'cultivation' makes this clear....when it comes to direct experience, city and country are more distinct in Australia than in many countries.

Published March 1995