The use of Aesthetics: Food for Thought

Cover of The use of Aesthetics: Food for Thought
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
ACMI
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Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
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The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
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Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
NAVA
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The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
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Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Aesthetic value is determined by commonly held notions of taste, beauty and attractiveness and differs from culture to culture. How does this influence us in our choice of nourishment - our daily bread, fruit or snack food? Why does food today look like it does?

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More from this Issue Full Issue Contents

David Bromfield on Sculpture
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Exhibition review The Games Room
Stuart Elliott at Lawrence Wilson Art Galley
University of Western Australia
21 October - 4 December 1994
Death of a Myth
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Paul Hay Diary
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Art about Farming, Farming as an Art?
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James Darling

The daily experience of tending a tract of land in South Australia's south east is the raw material of the art of artist farmer James Darling. 'Define the Country' a major exhibition at the Riddoch Gallery in Mount Gambier of huge images, paintings, videos and installations challenges the way we look at this country. Extracts from the artist's diaries offer a glimpse into the business of making sense of life on the land. Large format (fold out) images in the article.

Published March 1995
Asian Tucker in the NT - new trend, old ecology
Feature
Christine Burry

An installation work 'Guarding Civilization's Rim' a collaborative effort by 'The Personal Museum' comprising three Queensland artists opened in Townsville in September 1994. The project has been specifically created for and about northern Australia - the last frontier.

Published March 1995
The Cultural Biography of Plants
Feature
Susan Cochrane

The cultural biography of plants provides an extremely fertile field for artists to explore. It also encourages artists, and viewers, to explore the interface between cultures and between culture and agriculture.

Published March 1995
Living with the Land
Feature
Geoff Levitus

If there is a contemporary issue for landscape artist to engage with, it must be the process of developing a relationship with the landscape, even if it is at the level of s sustain[able] failure, a low level antagonism or an uneasy peace. It is as difficult and as complex as any other issue, and it ultimately speaks of the human condition.

Published March 1995
Photographing the Drought
Feature
John A Williams

"I used to think there was no link between farming and art...well, most art reflects the environment in which it is produced and the artist who produces it..."

Published March 1995
Husbandry and the Coporate Collection
Feature
Juliette Peers

Making taste? Making money? Melbourne historian Juliet Peers scrutinises a group of books and catalogues on corporate art collections to see whether boardroom fancies and their lavish publications reflect a wider role in shaping popular visions of Australian painting.

Published March 1995
Harsh Realities: Artists and the Land
Feature
Michael Eather

Even in the shiny spaces of the big cities, for some the dirt of the paddocks is only just below the surface. Michael Eather talks to three artists who were born and raised in the country, about their current attitudes to the land as a place of production.

Published March 1995
Rene Boutin: An Artist and His Garden
Feature
Lucienne Fontannaz

New Caledonia has become the first Pacific nation to hold a Biennale of Contemporary Visual Art. Lucienne Fontannaz travelled to Noumea to interview artist Rene Boutin and discovered an artist who takes more than the gallery and his studio as his milieu.

Published March 1995
The Food Chain Starts Here
Feature
Djon Mundine

"We are walking along, sister, singing and making country with the point of our digging sticks. What is that sister? A mangrove shell. We must put it within the mouth of this mat and hide it, making it sacred...Indeed it is sacred to us. Explores the importance of the mangroves to the indigenous people in northern Australia and the links to the Dreaming and their artistic representations."

Published March 1995
Botany and the Body: Fiona Hall
Feature
Dorothy Erickson

To entitle an exhibition 'Garden of Earthly Delights' is to invite comparison with mediaeval Dutch painter Hieronymous Bosch. Fiona Hall's exhibition of this name was toured in 1994 by the National Gallery of Australia.

Published March 1995
 
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