Published 11 July 2019
Gallery Lane Cove
Published 03 July 2019
Newcastle Art Gallery
Published 01 July 2019
La Biennale di Venezia
Published 26 June 2019
Published 05 June 2019
Australian Centre for Contemporary Art
Art Gallery of South Australia
Published 16 May 2019
Published 15 May 2019
Exhibition review Other Refuge Have I None
New Land Gallery
16 November - 30 December 1994
If there is a contemporary issue for landscape artist to engage with, it must be the process of developing a relationship with the landscape, even if it is at the level of s sustain[able] failure, a low level antagonism or an uneasy peace. It is as difficult and as complex as any other issue, and it ultimately speaks of the human condition.
Published March 1995
Explores the relationship between food and its representation in the northeast of Arnhem Land in the Northern Territory. Remember, dangerous themes make dangerous art.
Exhibition review Four Point Bearing: Simon Barley, Paul Hay, Ian Parry and James Smeaton
Tasmanian Museum and Art Gallery
26 December 1994 - 25 February 1995
Artist's journal by Paul Hay
The artist grew up in Baguio, which looks to be quite close to Ifugao on the map, and although I was taught that the rice terraces of this region of the Philippines were the eighth wonder of the world it was many years before he was able to see them.
Exhibition review Passionate Habits
Contemporary Art Centre of South Australia
11 November - 4 December 1994
Exhibition review Elsje King: Textiles
University of Tasmania, Launceston
9 September - 7 October 1994
Cannibis Sativa as a drug, as uses of hemp - textiles, fabric and paper - as building materials, as oils food and protein, for medical and therapeutic applications, biomass energy... so why is there a prohibition?
Looks at the recent work of John Wolseley and Victor Majzner.
The Halifax EcoCity Project is not just the seed for a future ecological Adelaide; it is the embodiment of a new paradigm that is sweeping the planet.
"I used to think there was no link between farming and art...well, most art reflects the environment in which it is produced and the artist who produces it..."
"We are walking along, sister, singing and making country with the point of our digging sticks. What is that sister? A mangrove shell. We must put it within the mouth of this mat and hide it, making it sacred...Indeed it is sacred to us. Explores the importance of the mangroves to the indigenous people in northern Australia and the links to the Dreaming and their artistic representations."
Exhibition review High Fibre Diet
Fremantle Arts Centre
29 October - 4 December 1994