The Fortunes of Anatomy: 1895 - 1995 Venice Biennale

Cover of The Fortunes of Anatomy: 1895 - 1995 Venice Biennale
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Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
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'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
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Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
Riddoch
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First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
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Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature

Published 25 August 2021
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Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
Sydney Contemporary
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Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
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A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021

Although the Centenary Venice Biennale has a number of faces, the primary one is to represent the face of contemporary art through international participation of 43 countries at their official pavilions.

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Snake/Skin
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David Hansen

Ann Newmarch has recently confronted and embraced the problems of ageing ...in a project she calls 'Anti Medusa/Risking Fifty'.

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Memory Staccato
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Exhibition review Flight/Flight: Alex Rizkalla
Experimental Art Foundation, Adelaide SA
27 April - 21 May 1995

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Image Bank: Portraiture
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Artist's statements and images: Kate Butler, Destiny Deacon, Di Barrett, Thomas Hoareau and Anne Zahalka.

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Narrating a Life: Mary Moore and the Self-Portrait
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Teri-Ann White

It goes without saying that for a woman to make a self-portrait, a self-representation, a different world of considerations will be required than if a man entered the same quest. The weight of history, of tradition, the idea of 'truthfulness' and women's unreliability: must I go on?

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Professional or Pretending?: A Response to Donald Brook
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John MacDonald

A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.

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Building with Bits
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Ian McLean

The Futures Technology Centre
Elizabeth College, cnr of Warwick & Murray Sts,
Hobart Design team: Paul Ian (architect), Ian Friend (artist), Sarah Lindsay (artist), Kevin Todd (artist).

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The Fated Gathering
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Robert Kleinboonschate

The artist talks about his work and responses.

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In the Company of Women
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Catriona Moore

In the Company of Women along with other components of the National Women's Art Exhibition, offers an opportunity to review the complex ideological ingredients that women modernists brought to their formal experiments. Artworks by Margaret Francis, Elise Blumann, Margaret Morgan and Grace Cossington Smith.

Published September 1995
Portraiture and Faciality
Feature
Robert Nelson

Each age has apparently had some theory of the face. Article links to the exhibition 'Faciality' curated by Zara Stanhope at the Monash University Gallery. Includes the work of artists Geoffrey Dupree, Chris Barry, Maria Kozic, Gordon Bennett, Peter Kennedy and others.

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The Mask Behind the Mask
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John Muirhead

Rei Zunde is a photographer and painter working in Melbourne. His recent photographic work records specific cultural or sub-cultural worlds - rodeos, tattooed men and women, suburban football teams and their supporter and circus workers and their animals.

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That's History
Book Review
Robert Crocker

Book review
The Killing of History: How a discipline is being murdered by literary critics and social theorists
by Keith Windschuttle
Macleay Press, 1994 Sydney
RRP $39.95

Published September 1995
Facets of the Self
Feature
Helen Ross

Review of the 'About Face' exhibition: Angela Stewart and Jenny Loverock. The last 15 years has seen portraiture rise to particular importance in relation to the politics of representation, particularly self representation by women.

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