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Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

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Noris Ioannou
1 December 2000
Issue 20:4
Sculpture and Cities
Opinion
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Friends of the Art Gallery of South Australia: Planning or politics? Contemporary Art Society: Artist' pub wanted Protest for a representative press The Hostile Campus: Cannibalising Griffith University Art Museum
Sydney Contemporary Perks ANAT Bendigo Art Gallery

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Watermarks: Crossings, Carolyn Lewens and Neil Stanyer and Illuminating Evidence, Felicity Spear and Sarah Winfrey
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Robyn Daw
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Talking Together
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Gregory Leong
Hilda Rix Nicholas: Her Life and Her Art by John Pigot

Miegunyah Press (MUP) 2000 ISBN 0 522 848907

Joanna Mendelssohn
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Frank Bauer Goes Public
German born artist Frank Bauer was raised on the philosophy that art, design and industry could work together to achieve a more visually coherent and democratic society. Over the past thirty years he has produced a huge body of work in metal, which includes jewellery, hollow ware, furniture and lighting. Through this text Fairlamb focuses on Bauers wind sculptures, exhibited at the Powerhouse Museum and JamFactory, which stand over four metres high and bring together his considerable knowledge of balance, precision engineering and sculptural metal work.
Gail Fairlamb
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Space adventures: Collaborations in public art and urban design in Victoria
Local government bodies in Victoria are demonstrating a range of approaches to the development of public art in urban design with recent project examples indicating new possibilities between artists, residents, designers, architects, business and even neighbouring councils. The Skewed Arch example in the City of Yarra is one discussed along with the works of Inge King, Chris Perk, Diane Mantzaris, David Davies, Alistair Knox, Ian Sinclair and Jackie Straude.
Andy Miller
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Paramor: Lost and found
Casula Powerhouse Arts Centre, NSW 9 September - 39 October 2000
Joanna Mendelssohn
Interview with Peter Sellars: Architecture, Adelaide Festival and Organic Oranges

Urban ecologist and architect Paul Downton interviewed 2002 Telstra Adelaide Festival Director Peter Sellars and Associate Director Cathy Woolcock about urban design and ecology and the attempts to create a shift from the idea of 'ownership' to 'participation' between people and the urban and natural environments. This feature also weaves in comments by Bert Flugelman, Judith Brine and Francesco Bonarto about the way they are prepared to express their feelings about their city and the way it looks and feels.

Paul Downton
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Beyond Mertz and Whitechapel: 'contemporary' Australian Modernism
Furby raises the issues of women artists role in Australian society and the considerable lack of recognition for this minority. The radical art group, the Contemporary Art Society (CAS), which was founded in Victoria in 1938 to counter attack academic art and to foster original and creative contemporary art, had its majority as women artists. The works of Mirka Mora, Erica McGilchrist, Nancy Borlase, Elsa Russell, Jacqueline Hick and Barbara Robertson are included in this discussion.
Paula Furby
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Texas: Artists Move in on Project Row House
A tidy little row of identical white houses, glowing in the Texas sun, has become the unlikely home of a cutting-edge experiment in public art. Seven houses are for artists installations, while another seven of the houses have been modernized and furnished for young, single mothers and their children. This text discusses the works of artists Vicki Meeks, Tracy Hicks, Radcliffe Bailey, Pat Ward Williams, Natalie Lovejoy, Joseph Havel, Fred Wilson, Shahzia Sikander, Nari Ward, Chen Zhen, Jens Haaning, Annette Lawrence, Deborah Grotfeldt and Rick Lowe.
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Private Rooms: 10 years of painting by Anne Wallace
Brisbane City Gallery 28 July - 28 September 2000
George Petelin
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Stafford and Staff: Queensland's Public Art Agency
Morrell examines the recent structural developments which have taken place at and around the precinct of Brisbanes Roma Street Transit Centre. Under Queenslands Art Built-in policy approximately $1.4 million was proposed to be spent on works of art to feature in the new precinct. Morrell was the public art curator for the Roma Street project and this article developed out of conversations held with the Public Art Agencys Executive Program Officer John Stafford.
Timothy Morrell
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PO Box 182
FULLARTON SA 5063

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