This text samples three innovative programs situated in Melbourne, Cairns and Canberra for kids of various ages. The Cairns Regional Gallery held an exhibition of lino prints by Torres Strait Islander artist Alick Tipoti which attracted 35 school bookings (over 500 children). The Children's Museum at Melbourne Museum opened in October 2000 and held the exhibition 123 Grow!, about the magic of how things, including ourselves, grow. The National Portrait Gallery, Canberra had a showing of student portraiture entitled Hearts/Heads: Headspace II in September 2001.
Certain autistic children whose linguistic ability is virtually non-existent can draw natural scenes from memory with astonishing accuracy. In particular their drawings display convincing perspective. In contrast, normal children of the same preschool age group and even untrained adults draw primitive schematics or symbols of objects which they can verbally identify.
The function and materiality of the art object, when investigated by artists, often evokes a childlike sense. Be they miniatures, process-related installations or large minimalist works, these objects call upon the viewer to look at them as if for the first time. As so much contemporary art retreats from theory and aims to locate itself squarely in the everyday, the art objects social function is also more assured, bringing the artist and the audience closer together. Paradoxically, this use-effect is best achieved by artists by emphasising the dysfunction of the object and some of those who best achieve this are Paul Saint, Stephen Birch, Jean Arp, Paul McCarthy, Mike Kelley, Tom Friedman, Robert Pulie, Simryn Gill, Mikala Dwyer and David Griggs.
The childrens art program at Sydney Children's Hospital, Randwick, has revealed that exhibitions of children's art, in the context of a child-oriented environment, are at least as significant to their target audience as art by adult professionals. The children's art program is administered by a company called Identity, Environment and Art, which specialises in developing art and cultural programs, primarily in health facilities. The plan included commissioned artworks by professional artists, murals, interactive wall panels and integrated mosaics.