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Tarntanya / Adelaide
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Stephanie Lindquist
1 June 2001
Issue 21:2
Art and Childhood
Vis.Arts.Online
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Kidding Around: Children in the Visual Arts
Throughout the twentieth century the spontaneous, vibrant art of children has provided inspiration and insight to avant-garde artists the world over. Although artists and educators have acknowledged the potential of children's art and the importance of nurturing creativity for over a century, it has taken considerably longer for government and the arts infrastructure to realise the needs of young artists. Lindquist looks at some of the international and local initiatives fostering young artists, concluding that a greater respect and nurturing of child art via a shift in the priorities of the Australia Council and other arts funding bodies is essential.
Stephanie Lindquist
0.632
Play Things: Some Contemporary Artists and their Objects
The function and materiality of the art object, when investigated by artists, often evokes a childlike sense. Be they miniatures, process-related installations or large minimalist works, these objects call upon the viewer to look at them as if for the first time. As so much contemporary art retreats from theory and aims to locate itself squarely in the everyday, the art objects social function is also more assured, bringing the artist and the audience closer together. Paradoxically, this use-effect is best achieved by artists by emphasising the dysfunction of the object and some of those who best achieve this are Paul Saint, Stephen Birch, Jean Arp, Paul McCarthy, Mike Kelley, Tom Friedman, Robert Pulie, Simryn Gill, Mikala Dwyer and David Griggs.
Russell Storer
0.8
Mildura Palimpsest #4
Mildura, various sites 19 April - 20 May 2001
Stephanie Radok
0.8
The Archibald Prize
Art Gallery of NSW March 2001
Jo Higgins
0.8
Male Nude: A Private View
Curator: Eugene Barilo von Reisberg Charles Nodrum Gallery Jan/Feb 2001
Sam Schoenbaum
0.8
Tense Past - Narratives of Gaps and Silences
Julie Gough Plimsoll Gallery, Hobart 17 - 23 February 2001
Greg Lehman
0.492
Artists and Wunderkids
Beryl Mckenzie and Jennifer Phipps
0.8
Lace - Contemporary Perspectives
Anne Farren (Aus), Suzumi Noda (Japan), Pam Gaunt (Aus), Michael Brennand-Wood (UK), Pilar Rojas (Spain) CRAFTWEST Centre for Contemporary Craft Perth International Arts Festival event. 7 February - 24 March

Touring to Kalgoorlie Art Centre July 2001 Interstate and regionally in 2002
Kate McMillan
0.74
Primary Non-Producers: The Arts in Crisis in Public Education
In this article Orchard is looking at the nature of art teaching in primary schools rather than focusing on the debate surrounding the value of arts learning and education. Although art has in the past decade become a formal part of the curriculum across Australia there is still a huge dearth of support material for teachers, particularly those in isolated areas. Orchard introduces some of the support programs which have been implemented in various schools, including the Department of Education & Training & Employment (DETE) and South Australian Living Artists (SALA) programs.
Julie Orchard
0.798
Promised Land: Nien Schwarz
Perth International Arts Festival 2001 event The Church Gallery, Claremont
Ian McLean
0.8
Anatomy of a Metaphor
Madeleine Kelly Modus Gallery Fortitude Valley, Brisbane 6 - 22 April 2001
Pat Hoffie
1.408
Sampling our Child-Friendly Museums
This text samples three innovative programs situated in Melbourne, Cairns and Canberra for kids of various ages. The Cairns Regional Gallery held an exhibition of lino prints by Torres Strait Islander artist Alick Tipoti which attracted 35 school bookings (over 500 children). The Children's Museum at Melbourne Museum opened in October 2000 and held the exhibition 123 Grow!, about the magic of how things, including ourselves, grow. The National Portrait Gallery, Canberra had a showing of student portraiture entitled Hearts/Heads: Headspace II in September 2001.
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Connecting contemporary art, ideas and people.

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PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

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