Art & Text: the rise and fall of theory

Cover of Art & Text: the rise and fall of theory
Homeland: Sacred Visions and the Settler State
Feature
Marcia Langton

Published March 2000
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An Aṉangu Western
Feature
Lisa Slade

Published 01 December 2023
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Ngurra Bayala (Country speaks) in the Blue Mountains
Feature
Leanne Tobin and Rilka Oakley

Published 01 December 2023
Guildhouse
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Curtis Taylor and Natalie Scholtz: A close reading
Feature
Jessyca Hutchens

Published 01 December 2023
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Linga yarren yilwarraya dam warna-warnarram: We remember forever that from long ago (ngarranggarnin)
Feature
Ethel McLennon, Madeline Purdie and Cate Massola

Published 01 December 2023
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Ben McKeown and the films of Mark Street
Feature
Una Rey

Published 01 December 2023
Mandorla Art Prize
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Mulanmali (to do over and over): Indigenous custodianship practices at the Art Gallery of New South Wales
Feature
Erin Vink and Juanita Kelly-Mundine

Published 01 December 2023
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Yarning with Cairns First Nations Curators' Collective

Aven Noah Jnr., Peggy Kasabad Lane and Teho Ropeyarn with Hamish Sawyer

Feature
Hamish Sawyer

Published 01 December 2023
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Kit Messham-Muir is a theorist in the art and visual culture of conflict and Professor of Art at Curtin University.

Card image: A near‐complete collection of issues of Art & Text, from 1981 to 2002. Photo: Kit Messham‐Muir.

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Melbourne Art Fair
City of Unley
NAVA
Barossa Arts Festival