A case for writing contemporary art history

Cover of A case for writing contemporary art history
Homeland: Sacred Visions and the Settler State
Feature
Marcia Langton

Published March 2000
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An Aṉangu Western
Feature
Lisa Slade

Published 01 December 2023
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Ngurra Bayala (Country speaks) in the Blue Mountains
Feature
Leanne Tobin and Rilka Oakley

Published 01 December 2023
Barossa Arts Festival
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Curtis Taylor and Natalie Scholtz: A close reading
Feature
Jessyca Hutchens

Published 01 December 2023
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Linga yarren yilwarraya dam warna-warnarram: We remember forever that from long ago (ngarranggarnin)
Feature
Ethel McLennon, Madeline Purdie and Cate Massola

Published 01 December 2023
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Ben McKeown and the films of Mark Street
Feature
Una Rey

Published 01 December 2023
Melbourne Art Fair
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Mulanmali (to do over and over): Indigenous custodianship practices at the Art Gallery of New South Wales
Feature
Erin Vink and Juanita Kelly-Mundine

Published 01 December 2023
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Yarning with Cairns First Nations Curators' Collective

Aven Noah Jnr., Peggy Kasabad Lane and Teho Ropeyarn with Hamish Sawyer

Feature
Hamish Sawyer

Published 01 December 2023
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Dr. Aneta Trajkoski is an art historian and writer based in Naarm/Melbourne.

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Gordon Bennett: Selected Writings

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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
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Art Writing in Crisis

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Editorial: Art / Write / Read
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Someone has to be innocent: a reflection on the post-2020 art critic
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Language is a River

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Art & Text: the rise and fall of theory
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NAVA
Guildhouse
Mandorla Art Prize
City of Unley