A case for writing contemporary art history

Cover of A case for writing contemporary art history
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Samstag Museum
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Desert Mob
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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Trafficking in the unfamiliar: writing black and Pierre Mukeba
Feature
Brian Obiri-Asare

Published 30 March 2022
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Dr. Aneta Trajkoski is an art historian and writer based in Naarm/Melbourne.

Card image: Legacy Russell, #GLITCHFEMINISM (still), 2018, video essay. Courtesy of Legacy Russell.

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More from this Issue Full Issue Contents

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Trafficking in the unfamiliar: writing black and Pierre Mukeba
Feature
Brian Obiri-Asare

Published 30 March 2022
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'Vicious Ingratitude' and art writing’s role in artistic dissent
Feature
Grace Slonim

Published 30 March 2022
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
0.8
Language is a River

Monash University Museum of Art

Review
Marielle Soni

Published 30 March 2022
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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Gordon Bennett: Selected Writings

Angela Goddard and Tim Riley Walsh (eds.) Griffith University Art Museum and Power Publications, 2020 66 images, including colour plates 216 pages

Review
Wes Hill

Published 30 March 2022
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Art & Text: the rise and fall of theory
Feature
Kit Messham-Muir

Published 30 March 2022
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Christ's penis in Adelaide: Orazio Samacchini’s The Holy Family, with St Catherine of Alexandria, St Margaret of Antioch and St Francis of Assisi
Feature
Michael Newall

Published 30 March 2022
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Bodies for writing, words for dancing
Feature
Belle Beasley

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
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Ghost-writing: on the posthumous invention of Philippa Cullen
Feature
Daniel Mudie Cunningham

Published 30 March 2022