Fiji: Artists Carve Out Their Own Future

Cover of Fiji: Artists Carve Out Their Own Future
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Axolotl
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Hazelhurst
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at issues in contemporary art practice in Fiji anticipating the construction of the new Fiji National Art School.

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More from this Issue Full Issue Contents

Resilient Modernism
Review
Robert Cook

Exhibition review Miriam Stannage and Tom Gibbons
Goddard de Fiddes
Contemporary Art Perth, Western Australia
2- 22 June 1996

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Encyclopaedia of Aboriginal Australia ed David Horton
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Book review Encyclopaedia of Aboriginal Australia with companion CD Rom
Edited by David Horton
Aboriginal Studies Press for AIATSIS
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Published December 1996
Alternative Festival in Samoa
Feature
Megan Tamati-Quennell

An alternative festival celebrating the people of the Pacific was held on one of the outer islands (Manono) in Western Samoa at the same time as the official Pacific Festival of the Arts in Apia. The festival was conducted from 8-23 September 1996.

Published December 1996
Tandanya - Captivating Culture
Feature
Stephanie Britton

Brief overview of the current focus of Tandanya the National Aboriginal Cultural Institute in Adelaide, South Australia.

Published December 1996
Art and Ritual: Aina Asi A Mavaru Kavamu
Feature
Wendy Choulai

The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.

Published December 1996
Funk Junk
Review
John Neylon

Exhibition review Junk Bonds
New Land Gallery, Port Adelaide South Australia
Touring South Australia and interstate with Visions of Australia
28 June - 28 July 1996.

Published December 1996
Doin' the Limbo
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Stephanie Radok

Exhibition review White Hysteria
Curated by Susan Treister
Contemporary Art Centre, Adelaide South Australia
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Published December 1996
Truth, Whose Truth?
Review
Ray Spiteri

Exhibition review Peter Dailey: Prime Time
Lawrence Wilson Art Gallery
University of Western Australia
17 May - 30 June 1996

Published December 1996
Collaboration - Zhou Xiaoping and Jimmy Pike
Feature
Fotis Kapetopoulos

Chinese Australian artist Zhou Xiaoping and Aboriginal artist Jimmy Pike exhibit collaborative works in China later in 1996. The author discusses Zhou's new work and his collaboration with Jimmy Pike.

Published December 1996
Darwin Festival - A Glimpse
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Stephanie Britton

Overview of the Festival of Darwin with its temporary visual art installations 'art head land' by 18 artists. For the summer of 1996.

Published December 1996
The Waka and the Cattle Truck
Feature
Margo Neale

What do a traditional Maori canoe (waka) and a cattle truck have in common?...In both these cases these vehicles were conveyors of culture. These images are central to two collaborative works at the second Asia Pacific Triennial of Pacific Art at the Queensland Art Gallery.

Published December 1996
Weaving the Old with the New: Textile Art Forms in Niugini
Feature
Ross Searle

Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.

Published December 1996
 
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