Gifted Arts

Cover of Gifted Arts
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Riddoch
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

In 1992 the Premier of WA initiated the Premier's Gift Commissioning Project in conjunction with the Crafts Council of WA inviting artists to design and produce protocol gifts and souvenirs within a lower price range, which though of exclusive design could be manufactured in multiples using light local industrial processes where appropriate.

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More from this Issue Full Issue Contents

From the Bush to the Street: A Change in Direction for Australian Fashion
Feature
Margot Riley

Despite the pull of the outback and the image of the Aussie bushman, the majority of modern Australians are urban dwellers, strung around the perimeter of the Continent. Little known to the outside world beyond our cultural icons of the kangaroo and the koala, few look to Australia as a source of contemporary design in any form, let alone fashion. Until recently, the global fashion market has seen fit to ignore the rest of our antipodean designers.

Published March 1997
The Soft Machine
Feature
Andrew Zheluk

Interview with Andrew Rogers, Director of the ARID industrial design group (within the University of Adelaide's Research precinct). They spoke about the seductive blurrings of boundaries between man and soft machine.

Published March 1997
A Touching Story
Feature
Richard Wood

Sydney's Powerhouse Museum began collecting artefacts relating to industrial design in the late 1980s. Since then a number of designers and consultancies have been represented in the collection. The author, curator of Industrial Design, Innovation and Marketing at the Powerhouse tells the story of these unsung heros and heroines of the everyday.

Published March 1997
Space Defined
Review
Gillian Rainer

Exhibition review Jewellery by Brenda Ridgewell,
New Collectibles Gallery,
East Fremantle WA
20 November - 1 December 1996

Published March 1997
Australian Fine China: Artists and Industry
Feature
Dorothy Erickson

Perth based Australian Fine China, the only maker of porcelain in Australia and New Zealand, is currently using a number of artist-designers to move from being a stolid china manufacturer for railways and cafes to one whose products are seen in top flight restaurants in the big hotels, in classy tourist venues and now on the dining tables of the nation. They have some way to go to entice Australians to purchase the 'local product' for their homes but they are making steady progress.

Published March 1997
SA Designer-makers Turn to Industry
Feature
Jane Williams

A unique exhibition curated by Steve Ronayne (owner of Aptos Cruz Galleries) held at theJam Factory Gallery in 1996 'South Australia - Emerging crucible of contemporary design' showed just how many local designer-makers of contemporary craft are adopting industrial processes in their work.

Published March 1997
Magabala Books: The Politics of Design
Feature
Mara Mann

Magabala Books, Australia's first indigenous publishing house takes its name from an indigenous vine that flourishes on the pindan soil of north western Australia. Sam Cook is the publisher's first indigenous designer. She talks with Mara Mann.

Published March 1997
Andrew Carter: Theatre Designer to the World
Feature
Dorothy Erickson

Andrew Carter is a much sought after theatre designer. He is a creator of innovative sets and has received many presitigous commissions.

Published March 1997
Seeing a Plant: Being a Plant
Review
Cath Kenneally

Exhibition review Stephanie Radok
Greenaway Gallery, Adelaide SA
11 September - 6 October 1996

Published March 1997
Petals on a Wet Black Bough
Review
Brenda Goggs

Exhibition review In Remembrance of Things Past... Angela Valamanesh Jam Factory Craft and Design Centre, Adelaide SA
18 October - 1 December 1996

Published March 1997
Out of the Kitchen
Review
Joanne Harris

Exhibition review Masters Exhibitions 1996
12-28 September: Greg Geraghty, Johnathon Dady, Paul Dryga, Namchou Chitma
10-26 October: Rhonda Wheatland, Amanda Poland, Helen Stacey, Elizabeth Abbott, Brian Lynch
7- 23 November: Greg Fullerton, Danielle O'Brien, Julia McGuire, Harekrishna Bag,
University of SA Museum, Adelaide SA

Published March 1997
Inventive Australia
Book Review
Lyn Tune

Book review Know-how, the guide to innovation in Australia
Interactive CD Rom published by Powerhouse Publications,
Powerhouse Museum, Sydney NSW
Macintosh/Windows
RRP $99.95

Published March 1997
 
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