Why the Guerilla Girls don't have to be naked to get into the Met

Cover of Why the Guerilla Girls don't have to be naked to get into the Met
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Joondalup
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Curator Laura Castagnini interviews Guerilla Girls founding members Frida Kahlo and Käthe Kollwitz on the past, the present, the legacy of feminist activism and the institutionalisation of experimental practices.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

0.767142857143
Trevor Richards: Recent works 2009 - 2012
Review
Louise Morrison

Turner Galleries, Perth 18 May – 16 June 2012

Published September 2012
We are all Flesh: Berlinde De Bruckyere
Review
Stephanie Radok

ACCA (Australian Centre for Contemporary Art), Melbourne
2 June – 29 July 2012

Published September 2012
1.338
Animal/Human
Review
Robin Daw

Curator: Michele Helmrich UQ Art Museum, Brisbane 12 May – 22 July 2012

Published September 2012
0.818333333333
Artrave
Artrave
Stephanie Britton

Published September 2012
Editorial
Editorial
Din Heagney

This country is broader than our accents and older than almost any other place on the planet, yet there is a great untruth at its heart that we are still not confronting as a people.

Published September 2012
1
Exhibitions to watch
Stephanie Radok

Published September 2012
Hoppé Portraits: Society, Studio & Street
Review
Pippa Milne

Monash Gallery of Art
9 June 2012 to 29 July 2012

Published September 2012
0.667142857143
Trying to burn a rainbow
Feature
Phip Murray

Artist, writer, history/theory lecturer at RMIT’s School of Architecture and Design, and ex-Director of West Space, Phip Murray riffs on and includes comments from curators and artists about experimentality and ARIs, including the contradictions of their potential radicality and their co-option as incubators.

Published September 2012
0.876
Remembering: Rethinking a place in the sun
Feature
Kieran Finnane

Alice Springs-based writer Kieran Finnane writes a tribute and homage to the work of Pamela Lofts who died on July 4 2012 of motor neurone disease. Since 1992 Lofts held 27 solo shows across Australia and was the founder in 1993 of the Alice Springs artist-run initiative 'Watch This Space'. Her legacy in the desert is profound with a singular and generous body of work arising from the contact zone between white and Aboriginal Australia. She will be deeply missed.

Published September 2012
On seeing the pattern
Feature
Donald Brook

Emeritus Professor of Visual Arts at Flinders University and Founder of the Experimental Art Foundation, Donald Brook takes on the March 2012 issue of Artlink titled 'Pattern and Complexity' and guest edited by well-known curator Margot Osborne.

Published September 2012
0.667142857143
Adelaide Biennale of Australian Art - Alexi Glass-Kantor & Natasha Bullock
Feature
Din Heagney

Artlink Experiment Guest Editor, writer and critic Din Heagney probes the curators of the 2012 Adelaide Biennale of Australian Art and in particular their approach to the embedding of artworks in the colonial Elder Wing of the Gallery.

Published September 2012
0.712857142857
Theatre of the World
Review
Eliza Burke

Curator: Jean-Hubert Martin
MONA (Museum of Old and New Art) in collaboration with TMAG (Tasmanian Museum and Art Gallery), Hobart
23 June 2012 – 8 April 2013

Published September 2012
 
Axolotl
PICA 2
Hazelhurst
NAVA