Why the Guerilla Girls don't have to be naked to get into the Met

Cover of Why the Guerilla Girls don't have to be naked to get into the Met
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
ACE Open
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Ballarat Foto Biennale
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Curator Laura Castagnini interviews Guerilla Girls founding members Frida Kahlo and Käthe Kollwitz on the past, the present, the legacy of feminist activism and the institutionalisation of experimental practices.

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unDisclosed: second National Indigenous Art Triennial
Review
Tess Allas

Curator: Carly Lane National Gallery of Australia, Canberra 11 May – 22 July 2012

Published September 2012
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Street legal: unmediated exchange
Feature
Paul Downton

Eco-architect Paul Downton gets down with street artist Peter Drew who endorses Adelaide's mayor Stephen Yarwood's statement: “Art isn’t just for art galleries… Cities are the best art galleries you could possibly have.”
Yet Drew also thinks that street art will maintain its authenticity “because there’s always going to be an illegal aspect to it…"

Published September 2012
We are all Flesh: Berlinde De Bruckyere
Review
Stephanie Radok

ACCA (Australian Centre for Contemporary Art), Melbourne
2 June – 29 July 2012

Published September 2012
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Melissa Smith: Dissolve
Review
Jane Deeth

Sawtooth, Launceston 27 April – 19 May 2012

Published September 2012
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No hotheads in this hothouse - Adhocracy
Feature
Fee Plumley

Self-confessed techno-evangelist and nomadic geek artist Fee Plumley is about to head off on a reallybigroadtrip. Before she left Adelaide she participated and revelled in Vitalstatistix's live art incubator Adhocracy. She suggests: "We should [all] take full advantage of Regional Arts Australia’s conference, Kumuwuki,(18-21 October 2012 in Goolwa, South Australia) where Sara Diamond (the creator of the Banff New Media Institute) will speak.

Published September 2012
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In-Habit (Project Another Country)
Review
Joanna Mendelssohn

Sherman Contemporary Art Foundation, Sydney 22 June – August 2012

Published September 2012
ARIna spaces for the unexpected
Feature
Brianna Munting

Curator Brianna Munting, who co-organised (with Georgie Meagher) the We Are Here Symposium of ARIs in Sydney in 2011, describes the new ARI online resource ARIna and asks: "Perhaps what we really need is to spend a lot more time asking each other whether our architectures and images, our hierarchies and ambitions, our ideas and narratives, are really any good for us or simply cultural fictions?"

Published September 2012
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Artist run spaces of the future
Feature
Christopher Kennedy

Christopher Lee Kennedy plays inside a living museum called Elsewhere, and is pursuing a PhD at the University of North Carolina. Here he culture-jams with Erica Curry of Lousiana, Paula Damasceno of Brazil, Aislinn Pentecost-Farrin of North Carolina, Wythe Marschall and Ethan Gould of New York, and Capp Larsen of Halifax, California, about their experiences of artist-run spaces, their passions, joys, discontents and plasticities.

Published September 2012
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Theatre of the World
Review
Eliza Burke

Curator: Jean-Hubert Martin
MONA (Museum of Old and New Art) in collaboration with TMAG (Tasmanian Museum and Art Gallery), Hobart
23 June 2012 – 8 April 2013

Published September 2012
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Animal/Human
Review
Robin Daw

Curator: Michele Helmrich UQ Art Museum, Brisbane 12 May – 22 July 2012

Published September 2012
On seeing the pattern
Feature
Donald Brook

Emeritus Professor of Visual Arts at Flinders University and Founder of the Experimental Art Foundation, Donald Brook takes on the March 2012 issue of Artlink titled 'Pattern and Complexity' and guest edited by well-known curator Margot Osborne.

Published September 2012
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Camouflage: Visual Art and Design in Disguise
Review
Alison Carroll

Kiasma Museum of Contemporary Art Helsinki, Finland 15 June – 7 October 2012

Published September 2012
 
Darwin Aboriginal Art Fair
Country Arts SA
MGNSW
Guildhouse
NAVA