Why the Guerilla Girls don't have to be naked to get into the Met

Cover of Why the Guerilla Girls don't have to be naked to get into the Met
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
UNSW
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020
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Knowledge positions in Aotearoa and Turtle Island art museums
Feature
Léuli Eshraghi

Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
 

Published 01 June 2020

Curator Laura Castagnini interviews Guerilla Girls founding members Frida Kahlo and Käthe Kollwitz on the past, the present, the legacy of feminist activism and the institutionalisation of experimental practices.

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18th Biennale of Sydney: all our relations
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ARIna spaces for the unexpected
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Brianna Munting

Curator Brianna Munting, who co-organised (with Georgie Meagher) the We Are Here Symposium of ARIs in Sydney in 2011, describes the new ARI online resource ARIna and asks: "Perhaps what we really need is to spend a lot more time asking each other whether our architectures and images, our hierarchies and ambitions, our ideas and narratives, are really any good for us or simply cultural fictions?"

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No hotheads in this hothouse - Adhocracy
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Din Heagney

This country is broader than our accents and older than almost any other place on the planet, yet there is a great untruth at its heart that we are still not confronting as a people.

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No Added Sugar: Engagement and Self-determination
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Julie Lien

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Every map has an agenda? PVI
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Kellie McClusky is an artist, writer and Head Girl of the celebrated PVI Collective in Perth. She describes their new work 'deviator' and some of the experimental thinking and working processes of PVI including a wiki-map of connections.

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The Kick Ass Painting Show
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Theatre of the World
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In-Habit (Project Another Country)
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