Why the Guerilla Girls don't have to be naked to get into the Met

Cover of Why the Guerilla Girls don't have to be naked to get into the Met
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
PICA
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
NAVA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
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Katie West: Living well
Feature
Katie West

Published 01 June 2018

Curator Laura Castagnini interviews Guerilla Girls founding members Frida Kahlo and Käthe Kollwitz on the past, the present, the legacy of feminist activism and the institutionalisation of experimental practices.

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Exhibitions to watch
Stephanie Radok

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Trying to burn a rainbow
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Phip Murray

Artist, writer, history/theory lecturer at RMIT’s School of Architecture and Design, and ex-Director of West Space, Phip Murray riffs on and includes comments from curators and artists about experimentality and ARIs, including the contradictions of their potential radicality and their co-option as incubators.

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Every Space Project needs an artist
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Sarah Jane Pell

Sarah Jane Pell is a pioneer artist, researcher and explorer. Her work involves going where no artist has been before, not to join art and science but to explore inter-field knowledge transfer at the furthest edges of human endeavour like deep space and deep ocean research.

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In-Habit (Project Another Country)
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Joanna Mendelssohn

Sherman Contemporary Art Foundation, Sydney 22 June – August 2012

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South Australia Illustrated: Colonial painting in the Land of Promise
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John Neylon

Curator: Jane Hylton Art Gallery of South Australia 2 June – 5 August 2012

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The Kick Ass Painting Show
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Polly Dance

Curators: Brigid Noone, Ben Leslie Fontanelle, Adelaide 24 May – 30 June 2012

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Manifestations of Now: experimenting with strategy
Feature
Sapna Chandu

Sapna Chandu is an emerging multidisciplinary artist and curator based in Melbourne and founder of weaustralians.org.
She describes the project MoNOW held at the project space at NGV Studio in terms of the way all its parameters explored the ingrained habits of art institutions.

Published September 2012
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Theatre of the World
Review
Eliza Burke

Curator: Jean-Hubert Martin
MONA (Museum of Old and New Art) in collaboration with TMAG (Tasmanian Museum and Art Gallery), Hobart
23 June 2012 – 8 April 2013

Published September 2012
On seeing the pattern
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Donald Brook

Emeritus Professor of Visual Arts at Flinders University and Founder of the Experimental Art Foundation, Donald Brook takes on the March 2012 issue of Artlink titled 'Pattern and Complexity' and guest edited by well-known curator Margot Osborne.

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Melissa Smith: Dissolve
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Jane Deeth

Sawtooth, Launceston 27 April – 19 May 2012

Published September 2012
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On SafARI in Sydney
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Robson Stromqvist

SafARI is the unofficial fringe event to the Biennale of Sydney, presenting the work of unrepresented Australian artists across multiple artist-run initiatives and public spaces in Sydney. It was founded in 2004 by Lisa Corsi and Margaret Farmer. Artists are selected after an open call for submissions.

Published September 2012
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The original model - Australian Experimental Art Foundation
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Niki Sperou

Long term resident artist at the department of Medical Biotechnology, Flinders University in Adelaide, Niki Sperou describes the fluidity of the Experimental Art Foundation (now the Australian Experimental Art Foundation)which is now almost four decades old.

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