Why the Guerilla Girls don't have to be naked to get into the Met

Cover of Why the Guerilla Girls don't have to be naked to get into the Met
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
NAVA
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Artshub
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

Curator Laura Castagnini interviews Guerilla Girls founding members Frida Kahlo and Käthe Kollwitz on the past, the present, the legacy of feminist activism and the institutionalisation of experimental practices.

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Contemporary Australia: Women
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Tess Maunder

Gallery of Modern Art (GoMA) and Queensland Art Gallery (QAG), Brisbane
21 April – 22 July 2012

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Artist run spaces of the future
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Christopher Kennedy

Christopher Lee Kennedy plays inside a living museum called Elsewhere, and is pursuing a PhD at the University of North Carolina. Here he culture-jams with Erica Curry of Lousiana, Paula Damasceno of Brazil, Aislinn Pentecost-Farrin of North Carolina, Wythe Marschall and Ethan Gould of New York, and Capp Larsen of Halifax, California, about their experiences of artist-run spaces, their passions, joys, discontents and plasticities.

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Editorial
Editorial
Din Heagney

This country is broader than our accents and older than almost any other place on the planet, yet there is a great untruth at its heart that we are still not confronting as a people.

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Writing with art
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Anusha Kenny

Melbourne-based writer and curator Anusha Kenny discusses the writing about art that she likes by poets Ken Bolton, Alex Selenitsch and John Forbes and contrasts it with the situation described by Adrian Martin in a recent article in 'Discipline' lamenting the fact that so much art writing is chained to “the hit-parade values of the art market”.

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Trevor Richards: Recent works 2009 - 2012
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Louise Morrison

Turner Galleries, Perth 18 May – 16 June 2012

Published September 2012
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Biennale of Sydney - Catherine De Zegher
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Din Heagney

Guest editor of Artlink and writer Din Heagney interviews Catherine De Zegher, one of the Directors of the 18th Biennale of Sydney (the first she curated) who is now the Director of the 5th Moscow Biennale 2013. De Zegher acknowledges the balancing act between the conventions of Biennales and attempting to experiment and step beyond them.

Published September 2012
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No hotheads in this hothouse - Adhocracy
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Fee Plumley

Self-confessed techno-evangelist and nomadic geek artist Fee Plumley is about to head off on a reallybigroadtrip. Before she left Adelaide she participated and revelled in Vitalstatistix's live art incubator Adhocracy. She suggests: "We should [all] take full advantage of Regional Arts Australia’s conference, Kumuwuki,(18-21 October 2012 in Goolwa, South Australia) where Sara Diamond (the creator of the Banff New Media Institute) will speak.

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18th Biennale of Sydney: all our relations
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Lizzy Marshall

Artistic Directors: Catherine de Zegher
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Museum of Contemporary Art, Cockatoo Island, Art Gallery of New South Wales,
Pier 2/3, Carriageworks
27 June – 16 September 2012

Published September 2012
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Artrave
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Stephanie Britton

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18th Biennale of Sydney: all our relations
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Pat Hoffie

Artistic Directors: Catherine de Zegher and Gerald McMaster
Museum of Contemporary Art,
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27 June – 16 September 2012

Published September 2012
On seeing the pattern
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Donald Brook

Emeritus Professor of Visual Arts at Flinders University and Founder of the Experimental Art Foundation, Donald Brook takes on the March 2012 issue of Artlink titled 'Pattern and Complexity' and guest edited by well-known curator Margot Osborne.

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South Australia Illustrated: Colonial painting in the Land of Promise
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John Neylon

Curator: Jane Hylton Art Gallery of South Australia 2 June – 5 August 2012

Published September 2012
 
ACE Open
Desert Mob
The David Roche Foundation