Published 01 June 2020
Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
27 November 2010 - 26 February 2011
17 June–23 July 2011
Australian Centre for Photography, Sydney
Last week, I was standing in front of a man called Daryl who has lived in the Campbelltown suburb of Minto for 20 years. I saw him dance some of the story of his life.
Published March 2011
Writer, researcher and arts manager Christen Cornell studies the way China is now much more of a player on the international art curcuit than Australia and what it means to young Chinise-Australian artists.
Curator: Kerry Crowley
Australian Experimental Art Foundation
12 November 2010 - 29 January 2011
Curator: Alison French
Flinders University City Gallery
11 December 2010 – 30 January 2011
20 November 2010 – 13 February 2011
Araluen Arts Centre, Alice Springs, NT
London-based curator and postgraduate researcher Tania Doropolous discusses 10,000 Lives: the Eighth Gwangju Biennale as well as the curatorial summer school that accompanied it.
Curator: Vivien Gaston
National Gallery of Victoria
Next Wave Artistic Director Emily Sexton and Next Wave Artistic Program
manager Ulanda Blair discuss the waves of Invisible Structures a project curated by Next Wave and supported by Asialink in which Australian artist collectives do exchanges with collectives in Tokyo, Singapore and Yogyakarta.
A flying journey through some of the Australia Council's most recent innovative projects which are also conversations with community partners and where outcomes are broad and diverse leading potentially to new forms of contemporary art practice...
Associate Professor at the University of the Phillipines and visiting research fellow at the University of New South Wales Flaudette May V. Datuin looks at the complex ideas of home, absence and presence in the work of artists examining the lives of Overseas Filipino and Filipina workers (OFWs).
Freelance writer and doctoral candidate Farid Farid analyses the installations and videos of deep thinker Khaled Sabsabi which use sound and collaboration as a significant part of their presence.