OK with my decay: Encounters with chronology

Cover of OK with my decay: Encounters with chronology
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
NAVA
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Subs Promo
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Susan Milne, Izabela Pluta, Annie Hogan and Hannah Bertram work with the idea of the theatre of decline set within the grounds of the domestic environment.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Artrave
Artrave
Edblog

Published March 2009
1.502941176471
Art and the abyss: Manipulations of time at the 2008 Yokohama Triennale
Feature
Ulanda Blair

Published March 2009
0.732824427481
Atomic Clock: microtime of the molecular and good old-fashioned molar beer
Feature
Ann Finegan

The responses of digital artists David Haines, Jon Hunter and Pete Newman to the molecular scale on which our world is now micromanaged are contrasted with the work of the late Jon Wah whose work stopped time with a saddhu-like discipline of the will. Jon Wah died in August 2008, aged 27. A posthumous retrospective was held for him at Serial Space, Chippendale, Sydney, 8-18 December 2008.

Published March 2009
1.499118165785
Crystalline signs of the small and poetic
Feature
Danni Zuvela

In Audrey Lams Under Development (2007), two detectives investigating a murder seek answers in an ominous, half-built structure. Close attention to the lush, inky compositions reveals the frozen temporality of a Brisbane landmark: the film records the historic erection of the Gallery of Modern Art.

Published March 2009
0.750957854406
On talking walls
Feature
Philip Watkins

Recent sound and electronic media work by two Tasmanian artists Scot Cotterell and Matt Warren remaster images and sounds from older technology to make a past-present present.

Published March 2009
0.729166666667
Jeffrey Smart: The question of portraiture
Preview
Artlink

Jeffrey Smart: the question of portraiture, Mornington Peninsula Regional Gallery, 4 March - 13 April, 2009.

Published March 2009
0.74537037037
Rosalie Gascoigne
Review
Juliette Peers

Rosalie Gascoigne
The Ian Potter Centre: NGV Australia
19 December 2008  15 March 2009
Curator: Kelly Gelatly

Published March 2009
1.497596153846
Enduring duration
Feature
Jo Skinner

Two video artists William Mansfield and William Lamson whose recent works pay homage to the 'poetics of the banal' and the history of durational practice.

Published March 2009
0.75
Lockhart River 'Old Girls'
Review
Timothy Morrell

Lockhart River Old Girls
Andrew Baker Art Dealer, Brisbane
26 November  20 December 2008

Published March 2009
Brook's way with kinds, categories and memes
Book Review
Lucas Ihlein

The Awful Truth About What Art Is
by Donald Brook,
published by Artlink 2008
RRP $38.50
Reviewed by Lucas Ihlein

The Awful Truth About What Art Is can be ordered online at www.artlink.com.au

Published March 2009
0.773869346734
Avoiding myth and message: Australian artists and the literary world
Preview
Artlink

avoiding myth and message: Australia artist and the literary world,
Museum of Contemporary Art, Sydney
7 April  12 July 2009, curator: Glenn Barkley.

Published March 2009
1.041666666667
Editorial
Editorial
Stephanie Britton

Published March 2009