Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
Exhibition review Dangerous Liaisons Plimsoll Gallery, Centre for the Arts, Hobart Tasmania 7 April - 30 April 1995
Published September 1995
Review of the 'About Face' exhibition: Angela Stewart and Jenny Loverock. The last 15 years has seen portraiture rise to particular importance in relation to the politics of representation, particularly self representation by women.
The Futures Technology Centre Elizabeth College, cnr of Warwick & Murray Sts, Hobart Design team: Paul Ian (architect), Ian Friend (artist), Sarah Lindsay (artist), Kevin Todd (artist).
Although the Centenary Venice Biennale has a number of faces, the primary one is to represent the face of contemporary art through international participation of 43 countries at their official pavilions.
A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
A response to the challenging article by Donald Brook, 'The Artist and the Industry' in Artlink Volume 15 Number 2 & 3.
Book review Heritage: the National Women's Art Book edited by Joan Kerr an Art and Australia book published by Craftsman House RRP $150
Book review Oceanic Art by Nicholas Thomas 1995 London Thames and Hudson's World of Art Series 216 pp 182 illustrations, 26 in colour RRP $22.95
Each age has apparently had some theory of the face. Article links to the exhibition 'Faciality' curated by Zara Stanhope at the Monash University Gallery. Includes the work of artists Geoffrey Dupree, Chris Barry, Maria Kozic, Gordon Bennett, Peter Kennedy and others.
Exhibition review Sculpture Survey 1995 Gomboc Gallery Middle Swan One Hundred Years of Sculpture 1895-1995 Art Gallery of Western Australia, Perth, WA
It goes without saying that for a woman to make a self-portrait, a self-representation, a different world of considerations will be required than if a man entered the same quest. The weight of history, of tradition, the idea of 'truthfulness' and women's unreliability: must I go on?
