Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
Book review Heritage: the National Women's Art Book edited by Joan Kerr an Art and Australia book published by Craftsman House RRP $150
Published September 1995
The Futures Technology Centre Elizabeth College, cnr of Warwick & Murray Sts, Hobart Design team: Paul Ian (architect), Ian Friend (artist), Sarah Lindsay (artist), Kevin Todd (artist).
Exhibition review Contemporay arts of the South Pacific University of New South Wales Held in the Gallery of the Alliance Francaise de Sydney 9 May- 2 June 1995
Book review Bad Aboriginal Art: Tradition, Media and Technological Horizons by Eric Michaels Allen and Unwin RRP $29.95
Although the Centenary Venice Biennale has a number of faces, the primary one is to represent the face of contemporary art through international participation of 43 countries at their official pavilions.
Close examination of the artist in the arts industry. The demystification project, the mysterious nature of art, the mystification of the artist, the mystery of moral arts and some consequences for the artist are examined with logical persuasion and a sharp sense of humour.
Historically, depictions of Aboriginal people have their gaze diverted away from the viewer. The work of Julie Dowling confronts the viewer to acknowledge the Aboriginal individual communicating as one human being to another.
Book review The Killing of History: How a discipline is being murdered by literary critics and social theorists by Keith Windschuttle Macleay Press, 1994 Sydney RRP $39.95
Exhibition review Sculpture Survey 1995 Gomboc Gallery Middle Swan One Hundred Years of Sculpture 1895-1995 Art Gallery of Western Australia, Perth, WA
Exhibition review performance art Relatives/Friends/Victims Safe Chamber One was Vicious Queenbitchery First Site Program, Come Out Festival Lion Arts Theatre 29 -31 March 1995
The recent revival of portraiture may not be unconnected to the technologies now available which allow artists to appropriate and manipulate images. Artists discussed include Wendy Mills, Adrienne Harris, Caroline Lewens, Regis Lansac, Anna Hurley and Deborah Mooney.
Each age has apparently had some theory of the face. Article links to the exhibition 'Faciality' curated by Zara Stanhope at the Monash University Gallery. Includes the work of artists Geoffrey Dupree, Chris Barry, Maria Kozic, Gordon Bennett, Peter Kennedy and others.
