From First Canvas to National Collections in Three Years

Cover of From First Canvas to National Collections in Three Years
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The Artlink Archive Project: Inside the 'Outsider' issue
Feature
Juliette Peers

Published 01 August 2022
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The SubMerge Project: Autistic embodiment and the extended bodymind
Feature
Alison Bennett and Dean Walsh

Published 01 August 2022
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Arts Project Australia: Raising the bar through collaborative partnerships
Feature
Sim Luttin

Published 01 August 2022
NAVA
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Staying the distance, closing the distance: Graeae Theatre UK and DADAA, WA
Feature
Jenny Sealey

Published 01 August 2022
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Exquisite interplay: Accessible art workshops for emerging artists
Feature
M. Sunflower

Published 01 August 2022
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Other Body Knowledge: Sophie Cassar, Lara Chamas, Fayen d'Evie, Sam Petersen, Jane Trengove
Feature
Olga Bennett and Jane Trengove

Published 01 August 2022
Bendigo Art Gallery
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What do you do at Studio A?
Feature
Emily Crockford, Guy Fredericks, Emma Johnston, Daniel Kim, Jaycee Kim, Adam Mandarano, Catherine McGuiness, Gabrielle Mordy, Meagan Pelham, Skye Saxon, Lisa Scott, Damian Showyin, Philip Sidney, Thom Roberts and Chloe Watfern

Published 01 August 2022
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Thinking without fear: Ruark Lewis
Feature
Marielle Soni

Published 01 August 2022

The story of senior women from the remote community of Kintore Northern Territory, who after just three years became Central Australia's most sought-after artists.

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More from this Issue Full Issue Contents

Watt Space?
Feature
Penny Metham

Watt Space, the University of Newcastle Students' Art Gallery is a student initiative gallery whose role is to provide successive students with opportunities and experience in exhibiting, curating and gallery management.

Published December 1997
Impasse: Art in Australia from Colonization to Postmodernism
Book Review
Michael Newall

Book review Impasse: Art in Australia from Colonization to Postmodernism by Christopher Allen
Thames and Hudson 1997
RRP $19.95

Published December 1997
Going Public...Doin' it in the Street
Feature
Gavin Malone

Exhibiting or working in the public space provides opportunities and challenges for emerging artists not available in the gallery system. This article outlines Malone's personal understandings of the three distinct aspects of public space art activity: I Exhibiting in the Public Space, II Public Artwork and III Design of the Public Space. Public art and design contribute to making art more visible in the community and broaden the definition of art practice.

Published December 1997
Down in the Platform
Feature
Richard Holt

Platform Spencer St Subway Platform2 Degraves St Sydney. Using such an extremely public venue is only one of the challenges which faces artists using the Platform spaces. The whole dynamic for viewing the work: an audience which is often on the move....

Published December 1997
Changing Cultures and Glittering Prizes
Feature
Joanna Mendelssohn

Examines the culture of art prizes, scholarships and patronage in terms of support for younger artists. Looks at the work of artists Megan Walch, Sue Saxon and Michele Beevors.

Published December 1997
Plastic Newcastle - The Epicentre of Denial
Feature
Ross Woodrow

Newcastle is already a post-industrial city and talk of culture as the defining feature of the coming economic profile of the city sustains an older myth. That is, that industrial and mining cities did not support high culture....

Published December 1997
Formalism Reinvested: Some Emerging Sydney Artists
Feature
Jacqueline Millner

Sydney's artist run spaces have long played a role in nurturing new contemporary practices, allowing artists the relative freedom to experiment outside the pressures of commercial or institutional constraints, and providing a critical edge for emerging artists to cut their professional teeth. Emerging artists Mark Hislop, Alex Gawronski and My Lee Thi are here referred to.

Published December 1997
Storming the Interface: Mindvirus, I/O/D and Deceptive Interaction
Feature
Belinda Barnett

As a handful of emerging electronic artists see it, the dis-articulation of this interface and the 'smart cufflinked control' imposed by its visual economy is where interactivity becomes conversation. They are concerned not so much with presenting their work in the electronic writing space as with drawing our attention to the interaction itself.... Lists web sites

Published December 1997
New Talent
Feature
Jackie Deane

In April 1997, the Mad Love Gallery hosted an exhibition curated by Micah Hamdorf. 'Premature Ejaculation' showcased 10 emerging male artists whose work relates to issues surrounding dysfunction. 'Popcorn' at the Contemporary Art Centre SA showcased 8 recent graduates from the SA School of Art. Plus other exhibitions.

Published December 1997
Gallery Dunce: The Skills to Pay the Bills
Feature
Sara Kirby

Gallery Dunce in Tasmania was born out of a group of ex-art school students' unanimous frustration with the lack of facilities for emerging/experimental artists. Looks at the work of Kim Kerze.

Published December 1997
Megan Keating: Schema
Review
Mary Knights

Exhibition review Megan Keating: Schema Dunce Gallery,
Hobart, Tasmania

Published December 1997
Studio/Space: Grey Area Art Space Inc.
Feature
Emma Woolley

Grey Area Art Space Inc in Melbourne Victoria, started as a studio at the beginning of 1996. A group of young idealistic artists decided to set up a studio to sustain the artistic relationships that had developed at art school.

Published December 1997
 
Goulburn Regional Art Gallery
ACE Open
Desert Mob
QAGOMA
Artshub