Emerging from What?

Cover of Emerging from What?
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
ACMI
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Examines the concept of 'emerging artists' in the visual arts practice of the Northern Territory. Features the works of Peter Adsett, Jacki Fleet, Pam Lofts, Rod Moss and Janette Lucas.

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More from this Issue Full Issue Contents

Psycho-Troppo - Unidentifiable Artists in Townsville North Queensland
Feature
Clare Ruciak

Setting the scene for interpretation of emerging art practice in the north involves thinking about what it is to be in geographical isolation from the major urban centres in Australia, a combined sense of alienation and freedom. Discussesartists Gavin Condren, Tania Whitbread, Andrew Kelman, Roxanne Grant and Trisha Mason.

Published December 1997
Changing Cultures and Glittering Prizes
Feature
Joanna Mendelssohn

Examines the culture of art prizes, scholarships and patronage in terms of support for younger artists. Looks at the work of artists Megan Walch, Sue Saxon and Michele Beevors.

Published December 1997
Zoe Sweeney: Subsist - A Cosseted Environment
Review
Penny Trotter

Exhibition review Zoe Sweeney: Subsist - A Cosseted Environment Gallery Go Go,
Melbourne Victoria

Published December 1997
Megan Keating: Schema
Review
Mary Knights

Exhibition review Megan Keating: Schema Dunce Gallery,
Hobart, Tasmania

Published December 1997
Boomalli Emerging Artists
Feature
Jodie Chester

Looks at the work of three new artists working within the Boomalli Artist's Co-operative. Leonie Dennis, Shirley Amos and Cedric Talbot. Includes statements by the artists.

Published December 1997
Ann Newmarch: Ripples in the Global Pond
Feature
Lucy Lippard

Ann Newmarch Retrospective 'The Personal is Political' curated by Julie Robinson was shown at the Art Gallery of SA in 1997. Lippard puts Newmarch's work into a global context.

Published December 1997
Struggling to be Seen
Feature
Melissa Cater

Looks at two exhibitions 'Perspecta 1997: Between Art and Nature' at the Art Gallery of New South Wales curated by Victoria Lynn and 'Primavera: The Belinda Jackson Exhibition of Young Artists' curated by Rea at the Museum of Contemporary Art, in the context of assisting young and emerging artists.

Published December 1997
Two Moods of Suburbia: Justene Williams and Tony Schwensen
Feature
Melissa Chiu

The work of Justene Williams and Tony Schwensen. William's photographs are taken spontaneously, and sometimes surreptitiously, with disposable cameras. Schwensen's installations combine paintings and sculptures to embody an idea of suburbia.

Published December 1997
New Talent
Feature
Jackie Deane

In April 1997, the Mad Love Gallery hosted an exhibition curated by Micah Hamdorf. 'Premature Ejaculation' showcased 10 emerging male artists whose work relates to issues surrounding dysfunction. 'Popcorn' at the Contemporary Art Centre SA showcased 8 recent graduates from the SA School of Art. Plus other exhibitions.

Published December 1997
You be the Chorus: Rites of Passage in a Virtual Art World
Feature
Kevin Murray

Imagine art without gatekeepers - no curators, no reviewers, no bureaurcrats. Emerging artists would no longer kowtow to the standards of a few curators in order to have their work seen. Audiences would no longer depend on the tastes of a select group of critics to determine which exhibition they should visit....the prospect of a transparent art world is in fact a mere extrapolation of current trends.

Published December 1997
Storming the Interface: Mindvirus, I/O/D and Deceptive Interaction
Feature
Belinda Barnett

As a handful of emerging electronic artists see it, the dis-articulation of this interface and the 'smart cufflinked control' imposed by its visual economy is where interactivity becomes conversation. They are concerned not so much with presenting their work in the electronic writing space as with drawing our attention to the interaction itself.... Lists web sites

Published December 1997
Studio/Space: Grey Area Art Space Inc.
Feature
Emma Woolley

Grey Area Art Space Inc in Melbourne Victoria, started as a studio at the beginning of 1996. A group of young idealistic artists decided to set up a studio to sustain the artistic relationships that had developed at art school.

Published December 1997
 
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