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1 March 2007
Issue 27:1
The Word As Art
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APT5
5th Asia Pacific Triennial of Contemporary Art (APT5) Queensland Art Gallery Gallery of Modern Art Brisbane 2 December - 27 May 2007
Timothy Morrell
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APT5
5th Asia Pacific Triennial of Contemporary Art (APT5) Queensland Art Gallery Gallery of Modern Art Brisbane 2 December - 27 May 2007
Michelle Antoinette
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Tom Muller > Gold Standard Art
This article discusses the artistic practice of Tom Muller - one concerned with both elegance of appearance and versatility of application. It is argued here that his astringent imagery is surely the art of our times not only in terms of its subject matter but its ease of distribution. Two works closely examined are Mullers 2006 piece 'Gold Card' in which the artist offered an edition of 24 carat gold credit cards and 'World Passport' (2000  present), considered to be two of Mullers most accomplished works because of the tension between their formalist pleasures and their real time operation.
Jasmin Stephens
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Adam Cuthbert
Warporn Adam Cuthbert CAST Gallery Hobart 28 October - 26 November, 2006
Colin Langridge
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Glory, glory, glory curated by Elizabeth Gertsakis
Melbourne public culture, curator/artist Elizabeth Gertsakis assembled a visual arts project around the life and work of early twentieth century Melbourne entrepreneur, sports and entertainment manager John Wren1871-1953. Artmaking, curating, presentation and display  in a broad not narrowly discipline-centric definition  are explored and unpicked. His world is, as Gertsakis argues, a constructed, directed one of effect and presentation within which Wren emerges as exemplar and victim in a process of image creation and narrative spinning that is central to social life in a media age.
Juliette Peers
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Postcard from China: 900 years of kneeling - censored

In his work, Chinese artist Jin Feng maintains a continuing interest in 'problem people'. Concerned with socio-philosophical issues, he is testing the limits of tolerance. He is also interested in challenging public prejudices against the too easily condemned. Tamara Winikoff interviews Jin Feng about his sculptural piece 'We Want A Rest By Standing Up'  depicting two infamous figures from China's history. This was the subject of much recent controversy and was censored by the authorities.

Tamara Winikoff
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Vivienne Binns survey at TMAG, curator: Merryn Gates
The Tasmanian School of Art in collaboration with the Tasmanian Museum and Art Gallery have created an exhibition focused on the phenomenon of the solo survey, using the work of Vivienne Binns to open a space for conversation about the personal aspirations of the artist and the broader role of curator and institution. Through the complex layering of this exhibition the artist and curator entice the viewer to engage more directly with the trials and joys of the artist's struggle. By engaging a museum-style presentation, Vivienne Binns becomes a contextual display marking milestones, thoughts, actions, protests, interactions, people, places, discisions and emotional responses that accumulate to give meaning to current choices.
Jane Deeth
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The Other APT
Raw Space Galleries
99 Melbourne St, South Brisbane
28 November 2006 - 23 January 2007
Djon Mundine
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Hiraki Sawa
Hiraki Sawa New Media Gallery, Level 3 National Gallery of Victoria International Melbourne 7 July - 3 December 2006
Anna Zagala
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Editorial
Richard Tipping looks at the role of text and language from an historical and contemporary context, covering areas of interest such as recent technological advancements, graffiti culture and going as far back as 46,000 years to briefly discuss some of the oldest found examples of Indigenous cave art in the south of Australia. Along the way he looks to medieval and ancient Phoenician developments, Clement Greenbergs promotion of painting as a purely optical experience, one in which text has no place except as another kind of surface, the role of Dada in claiming the relationship between word and image and discusses other important figures such as Duchamp, Brancusi, Stephane Mallarme, Christopher Brennan, Picasso, Braque, Kurt Schwitters, Charles Olson, Alex Selenitsch, Allan Riddell, Rosalie Gascoigne and many others.
Richard Tipping
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Walking with letters: Michael Parekowhai, John Reynolds, John Pule
This article looks at the recent works of New Zealand artists Michael Parekowhai, John Pule and John Reynolds to explore notions of identity through text and image relations. Parekowhais sculptural piece The Indefinite Article spells out I AM HE in an ironic critique of Colin McCahon and goes further through wordplay to cement a link between the word, identity and the complexities of translation. Reynolds Cloud comprised of nearly 7,000 white canvases transcribed with words from Harry Orsmans Oxford Dictionary of New Zealand English and acts to illuminate New Zealands separate identity and regional diversity within a worldwide community of English speakers. Stories of migration, of dispossession, of alienation characterise the work of John Pule. Similar to Parekowhai and Reynolds, Pule deploys words to multiply meanings and confound interpretation or translation.
Rob Garrett
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Nick Mangan
The Mutant Message Nick Mangan Sutton Gallery Melbourne 21 October- 15 November 2006
Melissa Amore
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Connecting contemporary art, ideas and people.

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PO Box 182
FULLARTON SA 5063

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