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Tarntanya / Adelaide
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1 March 2007
Issue 27:1
The Word As Art
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Shane Forrest
Shane Forrest: Float A-Space on Cleveland Sydney November 8-15, 2006
Tracey Clement
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Nick Mangan
The Mutant Message Nick Mangan Sutton Gallery Melbourne 21 October- 15 November 2006
Melissa Amore
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Walking with letters: Michael Parekowhai, John Reynolds, John Pule
This article looks at the recent works of New Zealand artists Michael Parekowhai, John Pule and John Reynolds to explore notions of identity through text and image relations. Parekowhais sculptural piece The Indefinite Article spells out I AM HE in an ironic critique of Colin McCahon and goes further through wordplay to cement a link between the word, identity and the complexities of translation. Reynolds Cloud comprised of nearly 7,000 white canvases transcribed with words from Harry Orsmans Oxford Dictionary of New Zealand English and acts to illuminate New Zealands separate identity and regional diversity within a worldwide community of English speakers. Stories of migration, of dispossession, of alienation characterise the work of John Pule. Similar to Parekowhai and Reynolds, Pule deploys words to multiply meanings and confound interpretation or translation.
Rob Garrett
1.334
Adam Cuthbert
Warporn Adam Cuthbert CAST Gallery Hobart 28 October - 26 November, 2006
Colin Langridge
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Sacred texts
Books hold a privileged place in our society as keepers of knowledge, spiritual truth and cultural heritage. Melinda Rankin examines the role of books in artistic practice and the robust relationship that exists between artist and book via a willingness to challenge some of the apparent conventions of structure and content. Simryn Gill, Ken Orchard, Alex Selenitsch and Gerard Genette are artists whose practice is deeply entrenched in the seemingly offensive act of fiddling with these sacred texts. For these artists, the slicing, tearing and unpicking of books is not an act of violence or irreverence. In subverting the original narrative to their own purpose, they reconsecrate the text into artworks creating contemporary objects of veneration and desire.
Melinda Rankin
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A new alphabet? Guan Wei goes bush
A project coordinated by 24HR Art in Darwin brought artists of Chinese, European and Japanese origin to the township of Injalak in Gunbalanya, Western Arnhem Land. Ashley Crawford looks at the time Chinese-born, Sydney-based artist Guan Wei spent with three members of the local community and the stories he learnt to accompany the ancient rock art of this region. Subsequent to discovering the similarities between Indigenous Australian and Chinese visual narratives, Wei wanted to use the images as an alphabet to tell the story of his own encounters and experiences with the people and the landscape of Gunbalanya.
Ashley Crawford
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Skywriting
The idea of four-dimensional sculpture proposed by the Dimensionalist Manifesto of 1936 has found its realisation through the continuing use of skywriting as a medium in contemporary art. Here Richard Tipping briefly discusses the phenomenon looking at artists Mary Lou Pavlovic and Guy Warren who produced works in association with major public, sporting and political events within Australia. Tipping also raises the question of how such a temporal practice as this is to be considered within the realm of contemporary art.
Richard Tipping
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Ann Newmarch
Anticipation Ann Newmarch Prospect Gallery Adelaide 5 - 26 November 2006
Ian Hamilton
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The Other APT
Raw Space Galleries
99 Melbourne St, South Brisbane
28 November 2006 - 23 January 2007
Djon Mundine
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Word as Image: Islamic calligraphy in contemporary art
In the broadest terms calligraphy can be seen as a prescriptive form of drawing and in this liberated sense an artist is free to investigate its role as both message and ornament. This article looks at the nature of Islamic calligraphy via the works of two very different artists working in Australia today  Iranian born Hossein Valamanesh and Naeem Rana of Pakistan. With the significance of language and the written word in Islamic culture it is hardly surprising that visual artists have in recent decades turned to it as the source of cultural and political potency.
Sarah Thomas
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RAPT
Rapt! 20 Contemporary Artists from Japan Nobuya Hoki, Tomoaki Ishihara, Yuki Kimura Monash University Museum of Art (MUMA) Clayton, Victoria 6 Sept - 18 November 2006
Olivia Poloni
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APT5
5th Asia Pacific Triennial of Contemporary Art (APT5) Queensland Art Gallery Gallery of Modern Art Brisbane 2 December - 27 May 2007
Michelle Antoinette
View all articles in this issue

Connecting contemporary art, ideas and people.

Artlink
Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

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