Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia
Published March 1994
Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75
Bunbury Regional Galleries
Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.
Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.
Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.
During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.
Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.
How do we define ourselves? What are the choices for women these days?
Written with Barbara Holloway Exhibition review Joe Blow: A very erotic art exhibition by Jo Ernst
Adam and Eve Gallery Canberra