Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.
Published March 1994
However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.
The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.
Fremantle Arts Centre, Western Australia
5 November - 10 December 1993
Examination of the art practice of Nola Farman.
During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.
Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.
Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia
Craig Andrae Miscellaneous Remarks
Contemporary Art Centre
Adelaide, South Australia
3 September - 3 October 1993
Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993