Against 'Neofuturism': Women Artists in Technological Media

Cover of Against 'Neofuturism': Women Artists in Technological Media
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Darwin Aboriginal Art Fair
Cigdem Ayedemir: Like a Prayer
Feature
Sumaiya Muyeen

Published April 2021
On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
NAVA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

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More from this Issue Full Issue Contents

Delayed Voyage: George Popperwell
Review
Richard Grayson

Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
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The Last Days of Chez Nous: Love Stories and Girls' Blouses
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Leonie Naughton

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

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Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
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Expressionism and modernism. Two old fashioned words in these days of post modernism.

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Pretty as a Picture: Women Artists and the Heidelberg Era
Review
Louise Dauth

Exhibition review Completing the Picture: Women artists and the Heidelberg era
Carrick Hill, South Australia
8 November - 6 December 1992

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"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
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Audrey Yue

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

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TV Eye: Cinema in the Age of Video
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Leon Marvell

In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

Published March 1993
Memory and Image: The Multiculturalism in Film Project
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Cecelia Cmielewski

It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.

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Who Told You We Wanted To Make Our Own TV?
Feature
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The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

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Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
Feature
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Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

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More Bangs for Bucks: Male Sexuality and Violence in Australian Film
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Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

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The Pure and The Impure: Shaun Kirby
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Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
The End of Independence? Women's Film and Video in the 1990s
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Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

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PICA
MUMA
Experimenta
MGNSW
Ballarat Foto Biennale