Against 'Neofuturism': Women Artists in Technological Media

Cover of Against 'Neofuturism': Women Artists in Technological Media
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
MGNSW
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Darwin Aboriginal Art Fair
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

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More from this Issue Full Issue Contents

Domestic Noir Night Out
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Peter Kemp

Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

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Cinema or Death
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What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.

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Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
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John McConchie

Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

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"Just Trust The Text, Don't Colour It"
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Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Museum Screen Dreams
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Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
Perplexities: Experimenta 1992
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Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.

Published March 1993
A Tale of Reproduction and Dependency
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The interface between film and video education and the Independent film and video production.

Published March 1993
Film and Video
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Annette Blonski

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

Published March 1993
TV Eye: Cinema in the Age of Video
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In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

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Transformation of the Real: Constantine Koukias and Ann Wulff
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Review To Traverse Water
IHOS Opera Hobart, Tasmania
Constantine Koukias and Ann Wulff

Published March 1993
The Pure and The Impure: Shaun Kirby
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Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
Colonial Patterns Repeated: Robert Harrison
Review
Margaret Worth

Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992

Published March 1993
 
NAVA
Curiocity Brisbane (Mulberry Seed Comms)
UNSW